All communication involves faith; indeed, some linguisticians hold that the potential obstacles to acts of verbal understanding are so many and diverse that it is a minor miracle that they take place at all.
All propaganda or popularization involves a putting of the complex into the simple, but such a move is instantly deconstructive. For if the complex can be put into the simple, then it cannot be as complex as it seemed in the first place; and if the simple can be an adequate medium of such complexity, then it cannot after all be as simple as all that.
God chose what is weakest in the world to shame the strong.
One side-effect of the so-called war on terror has been a crisis of liberalism. This is not only a question of alarmingly illiberal legislation, but a more general problem of how the liberal state deals with its anti-liberal enemies.
For Aristotle, goodness is a kind of prospering in the precarious affair of being human.
If the masses are not thrown a few novels , they may react by throwing up a few barricades.
Evil may be 'unscientific' but so is a song or a smile.
As far as belief goes, postmodernism prefers to travel light: it has beliefs, to be sure, but it does not have faith
Literature transforms and intensifies ordinary language, deviates systematically from everyday speech.
To claim that science and religion pose different questions to the world is not to suggest that if the bones of Jesus were discovered in Palestine, the pope should get himself down to the dole queue as fast as possible. It is rather to claim that while faith, rather like love, must involve factual knowledge, it is not reducible to it.
Anyone can be tolerant of those who are tolerant.
Like the rest of us, Tom Paulin is a bundle of contradictions. At its finest, his work is brave, adventurous, original and wonderfully idiosyncratic.
Writing seems to rob me of my being: it is a second hand mode of communication, a pallid, mechanical transcript of speech, and so always at one remove from my consciousness.
The frontier between public and private shifts from time to time and culture to culture.
In the end, it is because the media are driven by the power and wealth of private individuals that they turn private lives into public spectacles. If every private life is now potentially public property, it is because private property has undermined public responsibility.
It is language which speaks in literature, in all its swarming 'polysemic' plurality, not the author himself.
Most students of literature can pick apart a metaphor or spot an ethnic stereotype, but not many of them can say things like: 'The poem's sardonic tone is curiously at odds with its plodding syntax.
The most compelling confirmation of Marx's theory of history is late capitalist society. There is a sense in which this case is becoming truer as time passes.
I liked early Amis a lot, but I stopped reading him some time ago. I admire Hitchens on literary topics - I think he is very astute. McEwan, I read a bit. But I suppose it's more the ideological phenomenon that they represent together that interests me.
Ideology... is a kind of contemporary mythology, a realm which has purged itself of ambiguity and alternative possibility.
Those who sentimentally indulge humanity do it no favours.
You've got to have a sense of different audiences. I'm a kind of performer manque - I come from a long line of failed actors!
Irish fiction is full of secrets, guilty pasts, divided identities. It is no wonder that there is such a rich tradition of Gothic writing in a nation so haunted by history.
What was needed was a literary theory which, while preserving the formalist bent of New Criticism, its dogged attention to literature as aesthetic object rather than social practice, would make something a good deal more systematic and 'scientific' out of all this. The answer arrived in 1957, in the shape of the Canadian Northrop Fryes mighty 'totalization' of all literary genres, Anatomy of Criticism .
Man eternally tries to get back to an organic past that has slipped just beyond his reach.
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