Writing about the 1950s has given me tremendous respect for my mother's generation.
At the end of the day, that's what a family is - a group of different people who accept each other.
The sky was a sparkling succession of black diamonds on black velvet made crystal clear by the blackout.
I'm not sure how much easier it is for a mother to balance her life now - have we simply swapped one set of restrictions for another?
The net has provided a level playing field for criticism and comment - anyone and everyone is entitled to their opinion - and that is one of its greatest strengths.
Copywriters, journalists, mainstream authors, ghostwriters, bloggers and advertising creatives have as much right to think of themselves as good writers as academics, poets, or literary novelists.
I've always had a keen sense of history. My father was an antiques dealer and he used to bring home boxes full of treasures, and each item always had a tale attached.
A word out of place or an interesting choice of vocabulary can spawn a whole character.
Like most little girls, I found the lure of grown-up accessories astonishing - lipstick, perfume, hats and gloves. When I write female characters in my historical novels, getting these details right is vital.
I'm a library user and I just don't hoard books. To me, they're for sharing.
For a novelist, the gaps in a story are as intriguing as material that still exists.
History is full of blank spaces, but good stories, invariably, are not.
I didn't expect to love being online as much as I do. I've met some wonderful people and discovered that however arcane some of my interests that there are people out there who are interested too.
Today women have the rights and equality our Victorian sisters could only dream of, and with those privileges comes the responsibility of standing up and being counted.
People make interesting assumptions about the profession. The writer is a mysterious figure, wandering lonely as a cloud, fired by inspiration, or perhaps a cocktail or two.
I believe the era of the militant lady is back.
While I'm frustrated at the amount I'm expected to take on in the present, the 1950s woman was frustrated by being excluded - not being allowed to take things on at all.
To me, reading through old letters and journals is like treasure hunting. Somewhere in those faded, handwritten lines there is a story that has been packed away in a dusty old box for years.
An Aunt is a safe haven for a child. Someone who will keep your secrets and is always on your side.
Books exist for me not as physical entities with pages and binding, but in the province of my mind.
I've found myself moved by letters and diaries in archives as well as trashy, summer blockbusters. It's possible to make a connection with any kind of writing - as long as the writing is good.
There is something particularly fascinating about seeing places you know in a piece of art - be that in a film, or a photograph or painting.
I care about a lot of issues. I care about libraries, I care about healthcare, I care about homelessness and unemployment. I care about net neutrality and the steady erosion of our liberties both online and off. I care about the rich/poor divide and the rise of corporate business.
Writers of novels live in a strange world where what's made up is as important as what's real.
As an historical novelist - there are few jobs more retrospective.
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