Without archives many stories of real people would be lost, and along with those stories, vital clues that allow us to reflect and interpret our lives today.
It is through our extended family that we first learn to compromise and come to an understanding that even if we don't always agree about things we can still love and look out for each other.
I don't choose between my house phone and my mobile. I don't choose between my laptop and my notebook. And I don't intend to choose between my e-reader and my bookshelf.
It is one of the benchmarks of a culture I always think – the page at which it operates. A good way to measure it is to order a taxi and see how irate local people get if it is late.
I jealously guard my research time and I love fully immersing myself in those dusty old books and papers. It's one of the most enjoyable parts of my job.
Historical fiction of course is particularly research-heavy. The details of everyday life are there to trip you up. Things that we take for granted, indeed, hardly think about, can lead to tremendous mistakes.
I had never really understood what an adventure life could be, if you followed your heart and did what you really wanted to do, which is what we must all do in the end.
I always thought that bagels and lox was my soul food, but it turns out it's sushi.
For me, writing stories set, well, wherever they're best set, is a form of cultural curiosity that is uniquely Scottish - we're famous for travelling in search of adventure.
I find it inspiring to actively choose which traditions to celebrate and also come up with new ideas for traditions of my own.
The law don't like jazz clubs. No one wants anything to do with that kind of trouble.
Research material can turn up anywhere - in a dusty old letter in an archive, a journal or some old photographs you find in a charity shop.
There is something particularly fascinating about seeing places you know in a piece of art - be that in a film, or a photograph or painting.
Writers are a product of where we come from but by looking at alternatives to the culture in which we live, we can find ways to change and hopefully improve it.
I care about a lot of issues. I care about libraries, I care about healthcare, I care about homelessness and unemployment. I care about net neutrality and the steady erosion of our liberties both online and off. I care about the rich/poor divide and the rise of corporate business.
I've found myself moved by letters and diaries in archives as well as trashy, summer blockbusters. It's possible to make a connection with any kind of writing - as long as the writing is good.
Like most little girls, I found the lure of grown-up accessories astonishing - lipstick, perfume, hats and gloves. When I write female characters in my historical novels, getting these details right is vital.
To me, reading through old letters and journals is like treasure hunting. Somewhere in those faded, handwritten lines there is a story that has been packed away in a dusty old box for years.
I believe the era of the militant lady is back.
People make interesting assumptions about the profession. The writer is a mysterious figure, wandering lonely as a cloud, fired by inspiration, or perhaps a cocktail or two.
An Aunt is a safe haven for a child. Someone who will keep your secrets and is always on your side.
Books exist for me not as physical entities with pages and binding, but in the province of my mind.
Today women have the rights and equality our Victorian sisters could only dream of, and with those privileges comes the responsibility of standing up and being counted.
For a novelist, the gaps in a story are as intriguing as material that still exists.
I'm a library user and I just don't hoard books. To me, they're for sharing.
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