What usually has the strongest psychic effect on the child is the life which the parents have not lived
The little world of childhood with its familiar surroundings is a model of the greater world. The more intensively the family has stamped its character upon the child, the more it will tend to feel and see its earlier miniature world again in the bigger world of adult life. Naturally this is not a conscious, intellectual process.
The pendulum of the mind alternates between sense and nonsense, not between right and wrong.
In my case Pilgrim's Progress consisted in my having to climb down a thousand ladders until I could reach out my hand to the little clod of earth that I am.
There are all too many who, on account of their notorious ineptitude, thrive better in a rationalist system than in freedom. Freedom is one of those difficult things.
We are so full of apprehensions, fears, that we don't know exactly to what it points... a great change of our psychoglocal attitude is imminent, that is certain...because we need more understanding of human nature because ...the only real danger that exists is man himself... and we know nothing of man - his psyche should be studied because we are the origin of all coming evil.
I am an orphan, alone: nevertheless I am found everywhere. I am one, but opposed to myself. I am youth and old man at one and the same time. I have known neither father nor mother, because I have had to be fetched out of the deep like a fish, or fell like a white stone from heaven. In woods and mountains I roam, but I am hidden in the innermost soul of man. I am mortal for everyone, yet I am not touched by the cycle of aeons.
My mandalas were cryptograms concerning the state of the self which was presented to me anew each day...I guarded them like precious pearls....It became increasingly plain to me that the mandala is the center. It is the exponent of all paths. It is the path to the center, to individuation.
Deep down, below the surface of the average man's conscience, he hears a voice whispering, "There is something not right," no matter how much his rightness is supported by public opinion or moral code.
The general function of dreams is to try to restore our psychological balance by producing dream material that re-establishes, in a subtle way, the total psychic equilibrium.
It is on the whole probably that we continually dream, but that consciousness makes such a noise that we do not hear it.
The difference between the "natural" individuation process, which runs its course unconsciously, and the one that is consciously realized is tremendous. In the first case, consciousness nowhere intervenes; the end remains as dark as the beginning. In the second case, so much darkness comes to light that the personality is permeated with light and consciousness necessarily gains in scope and insight. The encounter between conscious and unconscious has to ensure that the light that shines in the darkness is not only comprehended by the darkness, but comprehends it.
The God-image in man was not destroyed by the Fall but was only damaged and corrupted (“deformed”), and can be restored through God's grace. The scope of the integration is suggested by the descensus ad inferos, the descent of Christ's soul to hell, its work of redemption embracing even the dead. The psychological equivalent of this is the integration of the collective unconscious which forms an essential part of the individuation process.
The great decisions of human life have as a rule far more to do with the instincts and other mysterious unconscious factors than with conscious will and well-meaning reasonableness. The shoe that fits one person pinches another; there is no recipe for living that suits all cases. Each of us carries his own life-form- an indeterminable form which cannot be superseded by any other.
The afternoon of a human life must have a significance of its own, and cannot be merely a pitiful appendage to life's morning.
It is sad but unfortunately true that man learns nothing from history.
The biographies of great artists make it abundantly clear that the creative urge is often so imperious that it battens on their humanity and yokes everything to the service of the work, even at the cost of health and ordinary human happiness. The unborn work in the psyche of the artist is a force of nature that achieves its end either with tyrannical might or with the subtle cunning of nature herself, quite regardless of the personal fate of the man who is its vehicle.
The word 'happiness' would lose its meaning if it were not balanced and contrasted and compared to sadness. In comparing how an experience could have been worse we develop gratitude and happiness, while if we compare it how it could have been better we develop bitterness and sadness.
Criticism can be effective when there is something that must be destroyed or dissolved, but it is capable only of harm when there is something to be built.
The more one sees of human fate and the more one examines its secret springs of action, the more one is impressed by the strength of unconscious motives and by the limitations of free choice
The mandala is an archetypal image whose occurrence is attested throughout the ages. It signifies the wholeness of the self. This circular image represents the wholeness of the psychic ground or, to put it in mythic terms, the divinity incarnate in man.
Understanding does not cure evil, but it is a definite help, inasmuch as one can cope with a comprehensible darkness.
Protection and security are only valuable if they do not cramp life excessively.
While personal problems are not overlooked, the analyst keeps an eye on their symbolic aspects, for healing comes only from what leads the patient beyond himself and beyond his entanglement in the ego.
An archetypal content expresses itself, first and foremost, in metaphors.
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