• When I started, we had just the camera and the person, mostly. And if you wanted to do a dolly shot, particularly working in Chicago where I began, you'd get in the back trunk of a car, and you'd have a friend drive the car, or you'd get in some kid's little wagon that he plays with and have someone pull that for dolly shots.

    "Remembering Oscar-Winning Cinematographer Haskell Wexler". "Fresh Air" with Terry Gross, December 29, 2015.
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