I still get a lot of material but I find that as one gets older you get more fussy. You know you're going spend a year or a year and a half on this and you know there are only so many films in you so you get a little bit more selective.
We live in an age of publicity and hype. There's something about success that dehumanizes you, whereas failure reminds you of who you really are.
Look, I'm just a storyteller. When I make a film, I never want the film to become a vehicle of social propaganda.
I don't like to think that maybe I'm just getting old. I'm not too excited about watching a huge explosion. I'm more interested in people and characters.
I think you get better as you get older.
I think all Nazis didn't see themselves as bad people. I've never met a racist yet who thought he was a racist. Or an anti-Semite who thought they were anti-Semitic.
Obviously, In The Heat Of The Night was a landmark movie because the timing was perfect. It was in the middle of the Civil Rights Movement.
But I've never met a racist yet who thinks he's a racist. That's always the disturbing thing about when we begin to look at ourselves.
I think I've done pretty well. I've had about 46, or 47 nominations from my movies, and my films have won about 12 awards, so I don't have any complaints.
I try to find stories that I would think that everyone would find interesting, and just a good entertaining story, and then if I can find a story that has a raison d'etre behind it that I feel is important then that's the best for me.
Do what you're told, and everything will be all right.
It's an entire industry focusing on young male viewers that want action and violence. They sell us something that isn't valid. They're selling films like a product.
I mean they're making remakes of my films and I'm not even dead yet! Why would you want to make a remake?
But Madonna has a small amount of talent when it comes to movies.
I don't make films to win prizes. I make films to make films.
Michael Caine is a movie star, but he's also a great actor. I can't say that about every movie star. It's the concentration he has.
The album for Fiddler really took off. I think it was a combination of John Williams and the score. It was a very classy big album.
When the small independent film, which depends on its artistic appeal rather than wide commercial distribution by an MPAA member, is now denied access, the playing field becomes unfair and uneven.
In America there's no rights for the artist, so whatever films I've made kind of belong to the studio.
Betrayal... is my favorite subject.
I work with a lot of movie stars.
I was very disappointed that Denzel didn't win Best Actor for The Hurricane because I thought he deserved it.
A lot of American actors I work with are in character all day long. You can't talk to them. It's Method and the whole thing.
Everything Sholom Aleichem talks about in his plays and his short stories is about people, family, man's relationship with his God, the breaking down of tradition.
I'm in the mood for another Moonstruck experience, for another romantic comedy.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: