There's no tour plans, no reunion, no new album... nothing.
I'd rather come back with a few transcendent memories than an album of snapshots.
In '98, I locked myself in my house, went out of my mind and wrote 25 songs. I rarely bathed during that period of writing; I sent out for food, I didn't really venture out of my house in three or four months. It was a hell of an experience. The album is an overview of birth to now.
Well, I suppose I could do a solo album, but my god, it would be terrible!
I mix up all styles on my albums because that is what music is about now.
I moved from New Zealand to Melbourne when I was 17. I'd planned to go to university to study French, but I was offered a contract to write and record an album that was too good to pass up. Looking back now I think that was pretty young but, at the time, I was ready to have an adventure.
I want to be the kind of artist who keeps pushing on every album. I don't want to settle on a sound.
A lot of the songs on the new album are about imaginary things, things that you can't touch - ghosts and rumors, my dead grandmother, things visiting you in a dream.
By the time I did that third solo album, I'd finally learned how to do it, but I'd also learned that I liked being in a band
Any album that I ever put out I'm going to send it to country radio first.
I think the themes in my songs are very similar from the first album to the newest one. It's all about the human condition and how we are all trying to learn to live with each other and survive love and life.
James Michael and I played everything on the album, then brought in the guys in my band to add their spirit to it with solos and specific parts.
On the last album, I didn't want to disturb the melody with too many stories. This time, I wanted to know if I was able to create images with words, with the sound of words.(...) I think that’s a good thing when the one who is listening, is feeling it in a different way that the one who creates. We are all listening with different perspectives.(...) I don’t want to impose my subjectivity to the listener.
I began the process of recording myself seriously in the fall of 1999. If I could finish an album of my own music, I would. Five years later I am happy to say I have.
I remember we were out on the road when the album finally came out in February 1973. I listened to it in my hotel room and just got this really big smile. I was thinking, 'It's amazing, we're really pulling this off'. The album was very, very unique and very, very different. I was really proud of the songs, especially 'No More Mr Nice Guy', 'Billion Dollar Babies' and 'Generation Landslide'.
I feel that after all those horrible reviews and jokes, I wasn't crazy all these years to stand up for the music I believe in. This album has proven that somewhere in the human race, the human heart is still racing and breaking and I am so grateful.
I can see that if this was an album done 10 or 15 years ago we could see we were moving on to some place else.
Last I checked, the album was #82 out of the top 200 on the Billboard charts thanks to you all. I pray that keeps moving up and with your help it will.
I picked up the Joss Stone album, Josh Groban, and the new Norah Jones. I love, love, love Norah.
One of my favorite songs from the album is a song called 'For Better or Worse,' and it's basically about unconditional love, which is, I'd say, an ongoing theme in my personal life.
I'm a player and I do it because I love playing whether it's for my album or someone else's.
But for the first time, we haven't made a huge leap forward in sound from our last album. Fans who own Kid A should be able to get their heads around it.
Enclosure, upon its completion, was the record which represented the achievement of all the musical goals I had been aiming at for the previous 5 years. It was recorded simultaneously with Black Knights' Medieval Chamber, and as different as the two albums appear to be, they represent one investigative creative thought process. What I learned from one fed directly into the other. Enclosure is presently my last word on the musical statement which began with PBX.
So I went out and bought Hard Again by Muddy Waters. That was a big learning curve. I listened to that album again and again and again. James Cotton was the harmonica player on that album.
Whenever I release a record, it's my record. It's not a selfish thought. I may work all year 'round for other people. So, finally, when I come out with my own album, it should be me with the creative help of other musicians.
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