At the end of the day, I want to spend time with my daughter, and this schedule enables me to do that while still having fun hosting '106 Park.' I'm not really eager to get back into music just yet; I'm really eager to get into another movie before I put out an album.
If people stop being interested it's because you haven't written a good enough album. Music will always be the most powerful thing. It doesn't matter what record labels or journalists say. It's the song.
My favorite album would have to be something from The Beatles.
I tasted huge success with my first album, and when it's happening it feels like a roller coaster you can't get off. You should be very careful about wishing for success on that scale.
That's part of the reason I called the album 'Shoot From The Hip.' I did feel it was time to open up more.
I no longer really have faith in the album anymore. I no longer have faith in the song.
I produced her first album, and I was breaking up with her at the time. That was not comfortable. Falling in love with Joni Mitchell is a bit like falling into a cement mixer!
I enjoy making solo albums because over the years it's evolved into more of a genuine personal expression of story-telling and day dreams, and I work in a way that has more control.
I rate each album as better than the last one. That's how I see it.
When you work on an album for three and a half years, you're kind of ready for it to get out there. To have your songs reach people.
I didn't want to become a personality, I wanted to be a musician, but because I didn't have an album to stand by yet it was hard for people to see that. But now, two albums in, I'm happy with things.
I don't want to put 12 singles on an album. I want to make a story, a little movie.
With his new CD 'Tactiles' Liberty Ellman emerges as one of the most intriguing, albeit unorthodox, guitarists on the New York scene today. An album of original, esoteric compositions marked by dense polyrhythms, dissonant, angular lines and an organic logic that ties the whole thing together in brilliant fashion.
My biggest hero when I was a kid was Will Smith. I used to watch 'Fresh Prince,' and I was a huge fan of his albums. I bought all of his albums when I was a kid. Now, he is the biggest movie star in the world.
I can't imagine ever not making music, making albums, writing songs, doing shows. That's all I really know, and that's all I really do.
I now possess the tools as a producer and a songwriter to really just go out and make smashes all day long. I could make an album full of smash records that got pop appeal. But my heart is in hip-hop. My heart is in telling stories. And it's like therapy for me.
With 'Blue Slide Park' I wanted to have a number one album, and I did do it, so I'm not mad at it, but that was its goal.
I want people to be like, 'Your album's just as good as Kendrick [Lamar]'s or Esperanza Spalding or Beck. I work just as hard as them.
I always try to give my own albums space in between so I have time to create a new sound and give time for people to miss me. You have to come out fresh and reinvent yourself.
Any album that you pick up of mine, you know it's an Akon album. The guests are very limited and you get to really feel the experience. You get the Akon experience when you get the albums. I always want to make sure that stays the way it is. I don't want to flood the album to where you lose focus on why you bought it.
One thing Jay z told me that always sticks with me, is that, the album is never how you viewed it to be.
Our self illusion is so interwoven with personal memories that when we recall an event, we believe we are retrieving a reliable episode from our history like opening a photograph album and examining a snapshot in time. If we then discover the episode never really happened, then our whole self is called into question. But that's only because we are so committed to the illusion that our self is a reliable story in the first place.
A lot of my albums that Ive done, a lot of the songs have been the first take. Its before you mess with it too much - you can take away all the spontaneity and the emotion of something by trying to make it sound perfect.
I've never listened to an album once I've finished it. All I hear is what I should've done different. I beat myself up over it.
I know six years is a big break. But I never walked away from music. I never released an album because I wanted to do a different album, something I have never done before.
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