I've never listened to an album once I've finished it. All I hear is what I should've done different. I beat myself up over it.
I know six years is a big break. But I never walked away from music. I never released an album because I wanted to do a different album, something I have never done before.
Making an album can be like being pregnant: you want to pop that thing out and show everybody!
I always thought my best album was 'Trouble in Paradise.' I was the happiest with that one.
The one constant in this ever changing music business is the heartfelt and “ear to the ground” Indie Record Stores that avid music fans and artists alike know they can count on to keep music thriving locally. I tour all over the world, and it's these Indie Record Stores that many times make or break a market. People will always want an “album” to hold, not just have downloaded, and Indies fill that need and then some.
I would make far more money if every song were my own, but I don't write to fill up the album with my songs.
Typically, the theme of my albums, if there is a theme, is, 'How does it feel?' And that always leads to love songs. It just does.
I hate it when bands do that; they're so proud of their new album, they have to play all of it and a couple of golden oldies.
Van Morrison is probably, at this point in time, my biggest influence as a vocalist. When we were making our last album I had a vinyl copy of 'Veedon Fleece' in the vocal booth in front of me, in the dorky sense. I think there were candles around, which is really tacky, but hey, I needed to channel Van the Man!
I would expect another Scars album before another System album.
I really like 'Roar' and 'Dark Horse.' 'Dark Horse' I really like, and I feel I would sing that in the bathroom; I would buy that album, and I think Katy Perry's amazing!
No band on 21st-century radio has mined pre-grunge hair-metal's sleaze like L.A.'s Buckcherry. So it makes poetic sense that they'd spend their sixth album tallying all seven deadly sins.
If an artist wants to work with me because they feel I've made some credible albums and there've been things that are long-lasting, it's because those artists took the time and we built an idea.
The most frustrating thing for musicians who want to play stuff from the new album is when everyone goes out to buy a beer.
We will have a new Taylor album in October. The record is genius. I can't wait for the fans to hear it.
I went back and listened to the first three albums I made and tried to figure out what was special about them, why people keep going back to them. I think it was because I didn't know what I was doing. I had no idea if they were going to play it on the radio or anything. All I did was write songs, so that's what I got back to.
Everywhere I go, kids walk around not with books under their arms, but with radios up against their heads. Children can't read or write, but they can memorize whole albums.
The electro scene is all over the clubs now: groups like Duck Sauce, Empire of the Sun, even MGMT. But I get inspiration from everywhere. I'll go to the gym and put on old albums - Guns N' Roses or old Jay-Z.
I finished 'Beautiful Creature,' and I felt somewhat unfulfilled. I felt like this other side of me needed to be released. Some of the songs I left off the album weren't intense enough to be what I wanted. They weren't hard enough.
I could make a whole album with no one else involved at all. It would be a total, unadulterated expression of myself. Because whenever you have others playing on a project, their influence becomes a part of it.
No one can get really drunk on a novel or a painting, but who can help getting drunk on Reethoven's Ninth, Rartok's Sonata for Two Pianos and Percussion, or the Reatles' White Album?
I see my albums as working diaries, as living scrapbooks of me and my life.
Truth is, you make albums, and some of those songs are hits, and some of the greatest hits albums have songs that weren't hits. You have a career, the reason why we're still around 10 years is that we do have successful songs.
Michael Giles the first drummer of King Crimson, never agreed to the name King Crimson. But then, if you'd knew Michael, you would know he didn't agree to the album cover either. So maybe Michael didn't agree to the point of definition with many things.
Inside was the second LP album of a comedian's performance before an audience.
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