I'm a huge fan of 'Sons of Anarchy.'
Sons of Anarchy has the perfect combination of character and action.
Britain cherishes her eccentrics and wisely holds that the function of government is to build a walled garden in which anarchy can flourish.
Albania in 1994 was the strangest place I've ever seen. It was like walking into the looking glass: falling apart, paranoid people, anarchy, no one farming, full of thieves. It was beyond any Third World country. They were living in their own private nightmare.
Someplace between apathy and anarchy is the stance of the thinking human being; he does embrace a cause, he does take a position, and can't allow it to become business as usual. Humanity is our business.
Some people with Tourette's have flinging tics- sudden, seemingly motiveless urges or compulsions to throw objects..... (I see somewhat similar flinging behaviors- though not tics- in my two year old godson, now in a stage of primal antinomianism and anarchy)
Sometimes the rules don't work. Sometimes the rules cause the anarchy.
Remove all the traffic lights, yellow lines, one-way systems and road markings, and let blissful anarchy prevail. I imagine it would produce a kind of harmony.
Africa is destined to anarchy. It is turning into 36 Haitis, with 36 Duvaliers, full of Cadillacs, beggars and snarling dogs.
Photography promises an enhanced mastery of nature, but photography also threatens conflagration and anarchy.
No one can act alone in the name of all and no one can accept the anarchy of a society without rules.
As human beings, we are always torn between individual freedom and the ability of choose our actions, and the need for at least enough social structure so that anarchy, chaos, and warlordery - or the war of all against all - can be avoided.
The use of force stands in need of control by a public neutral authority, in the interests of liberty no less than of justice. Within a nation, this public authority will naturally be the state; in relations between nations, if the present anarchy is to cease, it will have to be some international parliament.
In a government framed for durable liberty, not less regard must be paid to giving the magistrate a proper degree of authority, to make and execute the laws with rigour, than to guarding against encroachments upon the rights of the community. As too much power leads to despotism, too little leads to anarchy, and both eventually to the ruin of the people.
No American conservative has ever argued that the government should never be involved in peoples' lives. That is anarchy, and we don't argue for that.
The science of war leads one to dictatorship, pure and simple. The science of non-violence alone can lead one to pure democracy. Power based on love is thousand times more effective and permanent than power derived from fear of punishment. It is a blasphemy to say non-violence can be practiced only by individuals and never by nations which are composed of individuals. The nearest approach to purest anarchy would be a democracy based on non-violence. A society organized and run on the basis of complete non-violence would be the purest anarchy.
My lifestyle, my life, everything has changed because of this show. Has it made me look different? Yes, it's changed everything for me, everything from this show. And I cannot thank every single part of 'Sons of Anarchy' enough.
'Sons of Anarchy' is always murky.
The Arab world is full of corruption, in the time of the dictatorships and in the time of anarchy. This corruption is not only in politics and the economy, but also in the field of creative activity. There's an elite that controls the festivals, the newspapers, and the reviews. They are just a corrupt clique with no interest in creativity.
Some Iraqi writers are more daring today and have excellent imaginations and their material is rich in human experience. But the Arab prizes, once again, are part of the context of life in the Arab world - anarchy, confusion, and corruption.
Robert Nozick [a Havard philosopher, famous for his book "Anarchy, State and Utopia"] defined revenge as delivering the message that you know what someone has done, and it doesn't involve hurting them or doing anything to them beyond that. It's just delivering the message that their crime has been noted not just by its victims, because the victim might be dead, but by another who has a different moral view and will challenge the perpetrator's view.
The director Denis [Villeneuve] is actually an actor (he's from Sons of Anarchy and he's a great character actor) and he's also a screenwriter (he wrote What Lies Beneath). It blows my mind to see when people from one sector move to another and excel. I think Sicario was one of the best directed and written films. It did get [a nomination for best] cinematography, though.
We lack a political culture, a culture of compromise. We in Poland, as well as the Hungarians, have never learned this sort of thing. Although there is a strong desire for freedom in the countries of Eastern Europe, there is no democratic tradition, so that the risk of anarchy and chaos continues to exist. Demagoguery and populism are rampant. We are the illegitimate children, the bastards of communism. It shaped our mentality.
I don't want to be hubristic about art's possibilities. I don't think that art has a causal relationship to revolution. I do think it's a way people coordinate or orient their own often-inchoate experiences, sometimes willfully. With "The Masque of Anarchy," one of the things I note is that many political movements over time have made use of it as a way to orient themselves and to narrate what they were doing.
The citizens of America have too much discernment to be argued into anarchy. And I am much mistaken, if experience has not wrought a deep and solemn conviction in the public mind, that greater energy of government is essential to the welfare and prosperity of the community
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