I'm really into antiques. But really into it because of my father, who got me into them in the first place. He's an interior designer and he's really into going to antique shows and getting up really early on Sundays and driving out to these weird little towns north of Hamilton.
The thing I'm obsessed with is really great bad paintings. I have a storage locker full of them and I want to give them their own museum. You don't even know who these artists are - you can buy them at garage sales, antique stores and places like that. They're brilliant because they were done with the intention of being great, but the artist sort of made a wrong turn. Some of them are hilarious and I can't get enough of them.
I have an antique console stand-up radio that I bought in a yard sale, that I've always half-believed has magical properties. It's in my office, and it has watched over each of the fifteen books I've written. It also helped me find my wife.
Dialogue is generally the worst choice for exposition. When you're writing lines you need to focus on the way people actually talk. And when we talk to each other we never actually explain our terms. We don't say 'Sweetheart, would you pass me the sugar bowl, which we picked up for a song at that antique stall in Munich.'
In our present high state of civilization, people are so much alike, that anything at all odd comes on one with the freshness and character of an antique coin among smooth shillings.
I love hats! I collect vintage ones - I find them at antique shops in Kansas.
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