Innovation is what America does best. Whether it is the Apollo Project to the moon, developing the most advanced defense technologies available, the rise of the Internet or the latest advancements in biomedical gene therapies, our nation leads the world in transformative innovations.
I think the people who experienced the Apollo missions came away from that experience wondering to themselves, 'When can we get a chance to experience spaceflight?' I've heard that many, many times: that people got into a new career field hoping that they would be able to experience spaceflight.
I speak with the Eternal through the instrument of nature, through the world's history: I read the soul of the artist in his Apollo.
The goddess Artemis had a twin brother, Apollo, the many-faceted god of the Sun. He was her male counterpart: his domain was the city, hers the wilderness; his was the sun, hers the moon; his the domesticated flocks, hers the wild, untamed animals; he was the god of music, she was the inspiration for round dances on the mountains.
Err Houston, we've had a problem. [pause] We've had a main B bus undervolt.
As I step off at the surface at Taurus-Littrow, I'd like to dedicate the first step of Apollo 17 to all those who made it possible.
I've always wanted to be part of something that would radically change the world. . . . People forget the power of inspiration. All of humanity went to the moon with the Apollo missions. The issue was cost. There was no chance to build a base and create frequent flights. That's the problem I would like to solve.
When man, Apollo man, rockets into space, it isn't in order to find his brother, I'm quite sure of that. It's to confirm that he hasn't any brothers.
To have found you is a dear happiness; and to be Apollo's son is beyond all my hopes; but there is something I want to say to you alone. Come; this is a private matter between us two - anything you tell me shall be as secret as the grave.
I was at the Apollo Theater all the time, skipping school, and I worked in a barbershop. That's how I started with doo-wop. Now I've come full circle. I did all kinds of music. I used to work on Broadway and Tin Pan Alley.
When Apollo 13 appeared as an opportunity and I began to tackle that in as authentic a way as I possibly could, I really became enthralled by the philosophical side of space travel, and why we need to explore - what it means to us here on Earth - all of those things. I became a huge proponent.
A statue of Apollo in a museum does not seem naked, but attach a tie to its neck and it will strike us as indecent ... The text is one of the components of an artistic work, albeit an extremely important component ... But the artistic effect as a whole arises from comparisons of the text with a complex set of ontological and ideological esthetic ideas.
Space is not a two-year objective. It used to be, in the early '60's, we had this eye candy of Mercury and Gemini and Apollo and every year we would do something more and more and it met those needs. But the easy stuff has been done.
It is despairing to consider that the cost and reliability of access to space have barely changed since the Apollo era over three decades ago. Yet in virtually every other field of technology, we have made great strides in reducing cost and increasing capability.
It's always good to play New York. The Apollo is a great gig. I loved that.
Honestly, I was just happy to get the work. I was chuffed to bits. I know David Furnish and Elton John a bit and I remember David talking very excitedly about it. This was going back four or five years even, when we were doing Little Britain at the Hammersmith Apollo. I'd lost my voice that night, but still did the show. I remember thinking: "God, they're going to think that's my voice and I'm not going to get in the film!" But it's just been a pleasure to be a part of.
Well, we have seen a wonder. We ought to count our blessings.
I had gotten pregnant with Apollo, and I didn't plan on that - it was just such a beautiful miracle. Four weeks later they called me and, like "Do you want to do The Voice?" It was this incredible opportunity to do something different.
Of course, I was completely enthralled by the space program as a kid - particularly Apollo 11 - and was glued to the television like most of the world. Then I stopped thinking about it too much. I was a little disappointed that they weren't going on to Mars at the time, but I didn't think much of it. I was more interested in becoming a director at that point in my life and falling in love, things like that.
I have found it an amusing strategy, when asked whether I am an atheist, to point out that the questioner is also an atheist when considering Zeus, Apollo, Amon Ra, Mithras, Baal, Thor, Wotan, the Golden Calf and the Flying Spaghetti Monster. I just go one god further.
Fate has ordained that the men who went to the moon to explore in peace will stay on the moon to rest in peace. These brave men, Neil Armstrong and Edwin Aldrin, know that there is no hope for their recovery. But they also know that there is hope for mankind in their sacrifice.
When the Eagle landed on the moon, I was speechless—overwhelmed, like most of the world. Couldn't say a word. I think all I said was, 'Wow! Jeez!' Not exactly immortal. Well, I was nothing if not human.
In a drear-nighted December, Too happy, happy brook, Thy bubblings ne'er remember Apollo's summer look; But with a sweet forgetting, They stay their crystal fretting, Never, never petting About the frozen time.
The swan is not without cause dedicated to Apollo, because foreseeing his happiness in death, he dies with singing and pleasure.
The day Apollo 11 landed, I knew men would walk on Mars in my lifetime. I'm no longer nearly so sure. The last budget put forward in Canada contained not a penny for Mars.
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