This has been far more than three men on a mission to the Moon; more still than the efforts of a government and industry team; more, even, than the efforts of one nation. We feel this stands as a symbol of the insatiable curiosity of all mankind to explore the unknown.
Once, when we were playing at the Apollo Theater, Holiday was working a block away at the Harlem Opera House. Some of us went over between shows to catch her, and afterwards we went backstage. I did something then, and I still don't know if it was the right thing to do—I asked her for her autograph.
When Malcolm X was assassinated I was working at the Apollo. They brought his body to the Unity Funeral Home, which was around the corner.
We came all this way to explore the Moon, and the most important thing is that we discovered the Earth.
I believe that this nation should commit itself to achieving the goal, before this decade is out, of landing a man on the Moon and returning him safely to the Earth. No single space project...will be more exciting, or more impressive to mankind, or more important...and none will be so difficult or expensive to accomplish.
I don't believe in God for the same reason that most people don't believe in Apollo or Zeus. ... God is just human beings' way of personifying an otherwise completely natural universe.
True myths may serve for thousands of years as an inexhaustible source of intellectual speculation, religious joy, ethical inquiry, and artistic renewal. The real mystery is not destroyed by reason. The fake one is. You look at it and it vanishes. You look at the Blonde Hero-really look-and he turns into a gerbil. But you look at Apollo, and he looks back at you. The poet Rilke looked at a statue of Apollo about fifty years ago, and Apollo spoke to him. "You must change your life," he said. When the true myth rises into consciousness, that is always its message. You must change your life.
Well, Frank, my thoughts are very similar. The vast loneliness up here at the moon is awe-inspiring, and it makes you realize what you have back there on earth. The earth from here is a grand oasis in the big vastness of space.
In the fabulous ages of ancient times the appellations of Mercury, Venus, Mars, Jupiter, and Saturn were given to the planets as being the names of their principal heroes and divinities. In the present more philosophical era, it would hardly be allowable to have recourse to the same method, and call on Juno, Pallas, Apollo, or Minerva for a name to out new heavenly body. . . . I cannot but wish to take this opportunity of expressing my sense of gratitude, by giving the name Georgium Sidus, to a star [Uranus], by which (with to respect to us) first began to shine under His auspicious reign.
As I step off at the surface at Taurus-Littrow, I'd like to dedicate the first step of Apollo 17 to all those who made it possible.
I was at the Apollo Theater all the time, skipping school, and I worked in a barbershop. That's how I started with doo-wop. Now I've come full circle. I did all kinds of music. I used to work on Broadway and Tin Pan Alley.
The 'clean energy' challenge deserves a commitment akin to the Manhattan project or the Apollo moon landing.
The day Apollo 11 landed, I knew men would walk on Mars in my lifetime. I'm no longer nearly so sure. The last budget put forward in Canada contained not a penny for Mars.
It is despairing to consider that the cost and reliability of access to space have barely changed since the Apollo era over three decades ago. Yet in virtually every other field of technology, we have made great strides in reducing cost and increasing capability.
The swan is not without cause dedicated to Apollo, because foreseeing his happiness in death, he dies with singing and pleasure.
In a drear-nighted December, Too happy, happy brook, Thy bubblings ne'er remember Apollo's summer look; But with a sweet forgetting, They stay their crystal fretting, Never, never petting About the frozen time.
I have found it an amusing strategy, when asked whether I am an atheist, to point out that the questioner is also an atheist when considering Zeus, Apollo, Amon Ra, Mithras, Baal, Thor, Wotan, the Golden Calf and the Flying Spaghetti Monster. I just go one god further.
My favorite Twombly is 'Apollo and the Artist,' with the big 'Apollo' written across it.
This is the LM pilot. I'd like to take this opportunity to ask every person listening in, whoever and wherever they may be, to pause for a moment and contemplate the events of the past few hours and to give thanks in his or her own way.
We would like to give special thanks to all those Americans who built the spacecraft; who did the construction, design, the tests, and put their hearts and all their abilities into those craft. To those people tonight, we give a special thank you, and to all the other people that are listening and watching tonight, God bless you. Good night from Apollo 11.
Fate has ordained that the men who went to the moon to explore in peace will stay on the moon to rest in peace. These brave men, Neil Armstrong and Edwin Aldrin, know that there is no hope for their recovery. But they also know that there is hope for mankind in their sacrifice.
When Apollo 13 appeared as an opportunity and I began to tackle that in as authentic a way as I possibly could, I really became enthralled by the philosophical side of space travel, and why we need to explore - what it means to us here on Earth - all of those things. I became a huge proponent.
I've always wanted to be part of something that would radically change the world. . . . People forget the power of inspiration. All of humanity went to the moon with the Apollo missions. The issue was cost. There was no chance to build a base and create frequent flights. That's the problem I would like to solve.
The goddess Artemis had a twin brother, Apollo, the many-faceted god of the Sun. He was her male counterpart: his domain was the city, hers the wilderness; his was the sun, hers the moon; his the domesticated flocks, hers the wild, untamed animals; he was the god of music, she was the inspiration for round dances on the mountains.
A statue of Apollo in a museum does not seem naked, but attach a tie to its neck and it will strike us as indecent ... The text is one of the components of an artistic work, albeit an extremely important component ... But the artistic effect as a whole arises from comparisons of the text with a complex set of ontological and ideological esthetic ideas.
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