The artistic desire reveals itself in dark form - in karaoke bars [or] trolling on the Internet.
All art speaks in signs and symbols. No one can explain how it happens that the artist can waken to life in us the existence that he has seen and lives through. No artistic speech is the adequate expression of what it represents; its vital force comes from what is unspoken in it.
If there is no freedom of expression, then the beauty of life is lost. Participation in a society is not an artistic choice, it’s a human need.
Eisner mentioned he was uncomfortable calling Kirby someone with heavy artistic intent. I paraphrase, but Eisner felt Jack was mostly concerned with hitting his page count, telling good stories, and keeping his family fed. Not pursuing some aesthetic ideal - to seek that motive in Kirby's work was, he suggested, misguided. I happened to be holding the original artwork to the Devil Dinosaur #4 double-splash, which I turned around and showed Eisner - who took a moment, and said something uncharacteristic: “Okay, I might be wrong.
There's a very fine line between being artistic and being a dickhead - it's like love and hate.
Simplicity is no longer presented as a virtue. The value of complex and difficult language has been preached with such insistence that the public has begun to believe the lack of clarity must be a sign of artistic talent.
I am sure that there is no place in the world where your message would not be enhanced by your making the place (whether tiny or large, a hut or a palace) orderly, artistic and beautiful with some form of creativity, some form of ‘art’ (p. 213).
It is not necessary to have an extravagant food budget in order to serve things with variety and tastefully cooked. It is not necessary to have expensive food on the plates before they can enter the dining room as things of beauty in colour and texture. Food should be served with real care as to the colour and texture on the plates, as well as with imaginative taste. This is where artistic talent and aesthetic expression and fulfillment come in.
Yes, I did try acting when I was in high school and I was terrible at it. So I definitely have had the experience of being bad at artistic endeavor.
I believe passionately that games are an art form, and that the power of our medium flows from our audience, who are deeply involved in how the story unfolds, and who have the uncontested right to provide constructive criticism. At the same time, I also believe in and support the artistic choices made by the development team.
I have a lot of weird interests, but everything I do is artistic.
One of the things I want to do as an artist is to connect generations.
Anxiety is the essential condition of intellectual and artistic creation and everything that is finest in human history.
That’s the secret of artistic unity. Anybody can achieve it, if he or she will make something with only one person in mind.
I was the baby of the family, but I was never babied, and that allowed me to take whatever artistic temperament I had and apply learned discipline. I was taught how to work. I think that's everything. Creativity and imagination alone are not going to get you there.
The great thing about improvisation is that it allows us to establish an uncensored form of theater. Freedom of speech is absolutely inherent to artistic expression.
The artist must train not only his eye but also his soul, so that it can weigh colours in its own scale and thus become a determinant in artistic creation.
Since I was young, the artistic expression that fashion embodies has inspired me. It's a way to communicate oneself.
As a result of the World War, this old Germany collapsed. It collapsed in its constitution, in its social order, in its economic structure. Its thinking and feeling changed.
Sometime I'm going to do an essay called 'The Virtues of Amateurism' for all of those people who wish they earned their living in the arts. The market kills more artistic people than anything else. It's a world of safety out there, for most people. They want safety, the magazines and manufacturers give them safety, give them homogeneity, give them the familiar and comfortable, don't challenge them.
Patti Callahan Henry’s THE STORIES WE TELL is a lyrical exploration of love and longing, secrets and suspicion, family and friendship, all told with the author’s trademark insights into the hollows and curves of the heart and mind of a working woman who must balance the demands of motherhood, wifedom, sisterhood, and yes, the deepest cravings for artistic expression. I always love the stories PCH tells!
I am against: general ideas / the nude / the appropriation of images / the mystification of the untitled / the glorification of artistic doubt / the fuzzy edges of sensitivity / old sins / and useless guilt.
I don't think there is room for 'artistic temperament.' Professional artists understand art is a business. If businesses ran their companies like many artists do their careers, they would not stay open a year.
We must have design in a picture even at the expense of truth. You are using nature for your artistic needs.
I sat day after day in my little room, waiting for inspiration to visit me, trying to invent a pseudonym that would express, in a combination of noble and striking sounds, our dream of artistic achievement, a pen name grand enough to compensate for my own feeling of insecurity and helplessness at the idea of everything my mother expected from me.
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