Potential audiences are real people found in real places.
I have an audience that goes from kids to seventy year olds.
I have no idea what the audience makes of me.
In those days a concert was a personal experience. I wanted to be as close as possible to the audience and of course big stadiums didn't enable you to do that. It wasn't my style.
I hate the actor and audience business. An author should be in among the crowd, kicking their shins or cheering them on to some mischief or merriment.
Being a songwriter does not rely on an audience or other band members or a camera. I can just sit in a room and write songs.
There are some who speak well and write badly. For the place and the audience warm them, and draw from their minds more than they think of without that warmth.
I always worried I'd forget my lines or say the wrong words or the audience would laugh in the wrong places.
We're telling a story. And the demands of that are different from the demands of a documentary. The audience must believe in order to keep faith in the story.
The lecturer should give the audience full reason to believe that all his powers have been exerted for their pleasure and instruction.
The best way to make your audience laugh is to start laughing yourself.
You see, the interesting thing about books, as opposed, say, to films, is that it's always just one person encountering the book, it's not an audience, it's one to one.
I am a real ham. I love an audience. I work better with an audience. I am dead, in fact, without one.
It's great when you play to an audience that knows the words to all your songs, and sings them back to you.
If one talks to more than four people, it is an audience; and one cannot really think or exchange thoughts with an audience.
On the stage, you have to find truth, even if you have to lose the audience.
The applause is a celebration not only of the actors but also of the audience. It constitutes a shared moment of delight.
When I play live, I feel how the audience is going and follow and lead at the same time.
The wonderful thing about Food for Thought is that it lets you keep your hand in theater and be in front of a live audience without a commitment of six months, or even three months.
That a viewer does not see what the artist intended does not make the composition a failure... In reality all artists speak first to themselves and then to an audience.
An audience sabotages my freedom, devastates my innocence, corrupts my integrity, inhibits my great joy - and of course gives me further to fall.
A lot of us grew up in public. That often means that you have to fail in public too.
Once as I sat painting, I became aware of a man's face hovering near me, moving closer and closer to the panel I was working on. When he spoke he said, 'That is a fantastic brush!
The real resistance now is to an art which forces its audience to recognize and accept imaginatively, in their nerve ends, not the facts of life but the facts of death and violence: absurd, random, gratuitous, unjustified, and inescapably part of the society we have created.
When you're doing a series like this, you're constantly looking for new ways to excite your audience.
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