Miss Austen had shown the infinite possibilities of ordinary and present things for the novelist.
If there is a heaven, Jane Austen is sitting in a small room with Mother Teresa and Princess Diana, listening to Duran Duran, forever. If there's a hell, she's standing.
Jane Austen we know never let two men converse alone in any novel because what they said would be unknown to her.
I would be curious about one of those Jane Austen women - you know - long-suffering, dutiful - but all right in the end - a plump 19th century type, five foot four, ringlets, brown eyes, long fingers.
She is never alone when she has Her Books. Books, to her, are Friends. Give her Shakespeare or Jane Austen, Meredith or Hardy, and she is Lost - lost in a world of her own. She sleeps so little that most of her nights are spent reading.
I am for the ones who represent sense, and so was Jane Austen.
So perhaps the correct conclusion is that Green was less attuned to how people sound when they speak - the actual words and expressions they employ - than to what they mean. This notion of dialogue as a pure expression of character that...transcends the specifics of time and place may be partly why the conversations in the works of writers such as Austen and Bronte often sound fresh and astonishingly contemporary.
Each of us has a private Austen.
The art and passion of reading well and deeply is waning, but [Jane] Austen still inspires people to become fanatical readers.
Ever since I was young, I've read Austen and the Brontes. My friends laugh, but those books are always so tragic and wonderful - those stories, they're just incredible.
Jane Austen was writing about boring people with desperately limited lives. We forget this because we've seen too many of her books on screen.
I've done my share of period stuff. I'm not sure why, but people say I have a period face. The bread and butter of British TV is Jane Austen adaptations and bridges and bonnets and boats and horses.
My role models were childless: Virginia Woolf, Jane Austen, George Eliot, the Brontes.
Jane Austen was an extraordinary woman; to actually be able to survive as a novelist in those days - unmarried - was just unheard of.
I'm like Jane Austen - I work on the corner of the dining table.
Allegra's Austen wrote about the impact of financial need on the intimate lives of women. If she'd worked in a bookstore, Allegra would have shelved Austen in the horror section.
Growing up, I mostly read comic books and sci-fi. Then I discovered the book 'Jane Eyre' by Jane Austen. It introduced me to the world of romance, which I have since never left. Also, the world of the first-person narrative.
For [Jane Austen and the readers of Pride and Prejudice], as for Mr. Darcy, [Elizabeth Bennett's] solitary walks express the independence that literally takes the heroine out of the social sphere of the houses and their inhabitants, into a larger, lonelier world where she is free to think: walking articulates both physical and mental freedom.
Anyone who has the temerity to write about Jane Austen is aware of [two] facts: first, that of all great writers she is the most difficult to catch in the act of greatness; second, that there are twenty-five elderly gentlemen living in the neighbourhood of London who resent any slight upon her genius as if it were an insult to the chastity of their aunts.
I am a Jane Austenite, and therefore slightly imbecile about Jane Austen. My fatuous expression, and airs of personal immunity-how ill they sit on the face, say,of a Stevensonian! But Jane Austen is so different. She is my favourite author! I read and reread, the mouth open and the mind closed. Shut up in measureless content, I greet her by the name of most kind hostess, while criticism slumbers.
Jane Austen easily used half a page describing someone else's eyes; she would not appreciate summarizing her reading tastes in ten titles.
But some characters in books are really real--Jane Austen's are; and I know those five Bennets at the opening of Pride and Prejudice, simply waiting to raven the young men at Netherfield Park, are not giving one thought to the real facts of marriage.
As Jane Austen might have put it: It is a truth universally acknowledged that young protagonists in search of adventure must ditch their parents.
Jane Austen is the pinnacle to which all other authors aspire.
Jane Austen is at the end of the line that begins with Samuel Richardson, which takes wonder and magic out of the novel, treats not the past but the present.
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