I would say the biggest risk I always take is going in front of a live audience. There's nothing more risky to do. You have to really leave yourself open to your own authenticity, and you find that out pretty quick.
Ultimately, I think authenticity is always key, no matter what you do in life. It's also key to the branding side of things.
I think authenticity is important whichever homeland you're from but one of the lovely things about British cooking is that we adopt great food and dishes from all of the lovely people who come from overseas to live in our country. We're a magpie nation - we take the best bits of other cuisines and embrace them as our own.
The God who made us dust knows we're dust. We don't have to feel like perpetual failures because we aren't more than we are, and we don't have to be in contest and contention with everybody around us, because once I know myself and realize I have limitations, then two things happen: I realize my need for you, and I do not expect more from you than I expect from myself. So mercy comes with it, joy comes with it, authenticity comes with it, and freedom comes with it.
Jorge Luis Borges was lamenting a variety of Orientalism that was used to measure the alleged authenticity of Argentine and Latin American writers in the midcentury. The Argentine literary tradition was believed by many, including many Argentines, to be concerned with a national imaginary in which the gauchos and the pampas and the tango were fundamental tropes. Borges, in part to legitimize his own Europhilia, correctly pointed out that expecting writers to engage with these romantic nationalist tropes was arbitrary and limiting, a genre that was demonstrative of its own artificiality.
The hope for me going back into television - after doing what will have been two years of radio - is to bring that authenticity with me. And, to not have the visual be overpowering the content.
I told myself that if I hoped to write a book that helped people to take a good look at some of the names that have been written on their nametags, I would need to do the same. I had to write Hello, My Name Is from a place of authenticity, even vulnerability, being willing to let God show me areas of my life that have been incorrectly shaped by false identities I've allowed to hang around for too long. I truly felt like, 'if this book is helping me, then it's going to help someone else.'
Authenticity seems like sort of a joke. Actually I believe it was the late comedian George Burns who said, "if you can fake sincerity, you've got it made." People cannot be invariant across situations and roles and, moreover, leaders need to be true not to themselves, but to what others want, need, and expect from them.
In Indiana we had a queen we named Alice which lived to the ripe old age of eight years and two months and did excellent work in her seventh year. There can be no doubt about the authenticity of this statement. We sold her to John Chapel of Oakland City, Indiana, and she was the only queen in his yard with wings clipped. This, however is a rare exception. At the time I was experimenting with artificial combs with wooden cells in which the queen laid.
I see the task of architecture as the defense of the authenticity of human experience
Life has been messy for me, as it has for most everyone. I have come to the realization that challenging experiences break us all at some point—our bodies and minds, our hearts and egos. When we put ourselves back together, we find that we are no longer perfectly straight, but rather bent and cracked. Yet it is through these cracks that our authenticity shines. It is by revealing these cracks that we can learn to see and be seen deeply.
The scouts [in "Moneyball"] could lend an authenticity that's even beyond what we had on the page.
An atmosphere of trust, love, and humor can nourish extraordinary human capacity. One key is authenticity: parents acting as people, not as roles.
Whether through TV, film, online, app, or web, we will find ways to tell our stories with authenticity, and engage with our viewers beyond traditional means.
What I like in comedies are really two things: stories that are character-driven and stories that are rooted in authenticity.
[People] feel Washington doesn't understand their lives anymore, and they feel that even though Donald Trump might make a mistake with what he says from time to time, they see that as authenticity and maybe somebody who will truly pay attention to them, because they feel ignored.
I also came to understand that our authenticity (or lack thereof) is made evident by the fruit that our life is bearing.
If I fall over and make mistakes, I'll pick myself back up and hope for the best and try to conduct myself with as much authenticity and moral code.
Authenticity is also about the courage and the vulnerability to say, "Yeah, I'll try it. I feel pretty uncomfortable and I feel a little vulnerable, but I'll try it!"
The problem is we're looking for something that doesn't exist. We're looking for authenticity. There is no such thing as authenticity. There is either good art or bad art. Art is never about its content. It's about its scaffolding.
I'd met Harrison Ford before, but he was just finishing a meet with Jon Favreau and the other producers on the film, and we said "hello" as he walked out and I walked in and sat down and had this meeting with those guys. They basically described what they were looking for, and they thought that I brought a certain amount of authenticity to the genre, and would I want to take part? And I said, "Absolutely! I'd love to!"
I want the people making this music to stick to what they know in terms of ensuring that they remain true to that and the authenticity. Don't be afraid to be original and explore of course, but don't necessarily abandon certain standards in order to try to appeal to other people.
I think preppy stands for optimism, confidence, energy and authenticity.
I want characters to have voices that feel authentic, unique, honest, fresh and original - all at once. Part of that authenticity is evoking genuine emotion across life - the sadness, passion, love, sense of loss, missed opportunities, and confusion even. All of this helps us realize that our choices do impact the lives that we eventually lead.
"Authenticity" doesn't mean much to me. I just want "good", in the sense of well-designed, well-constructed, long-lasting garments. My interest in military clothing stems from that. It's not about macho, playing soldiers, anything militaristic. It's the functionality, the design-solutions, the durability. Likewise workwear.
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