Everybody loves a sad ballad because it's cathartic. For artists, in a lot of ways, that's sort of our therapy sessions is when you're singing a song.
I did Bronislaw Kaper's tune. He wrote "On Green Dolphin Street." I mean, I did all those ballads, all them ballads from South America. All those tunes - the guitar concerto on Sketches Of Spain. All those are Spanish melodies. Some of them we made up ourselves.
Well first of all, I'm a singer. I sing since I talk. So the great ballad singers, the people that sang with so much feeling, jazz, blues, all those singers, they were songs that I listened to, records that my mom played for me, and then later I bought.
I'm not somebody that has an encyclopedic knowledge of ballads and could sit around a fire and sing songs for three hours. I basically only know the songs that I've taken on and reworked and recorded.
Many fairy tales and ballads present us with animals who are nobler, truer, and kinder than the greedy human beings who desire to possess them. I guess I tend to read these stories as very early (and possibly unconscious) feminist texts.
I have ideas of subjects and atmospheres that I love. I either want to go in a tougher, stronger direction or do the opposite: simple ballads.
For a while, it was something to try to push at people, playing old murder ballads and being upset about everything I was seeing around me. But now I feel a lot more at peace with it.
I realized that what I was looking for was doing collaborations with other people - people who can play a ballad, rock, jazz. I was looking for more co-op type things than what I had been doing, which had been completely my own trip.
The fact I wasn't getting off made me realize that I really had to take a hard look at it and at the type of music that I played, which ranges from ballads to country type stuff to rock and rhythm 'n' blues. It takes in a wider spectrum.
The music I really like to get off on is the old rhythm 'n' blues and rock 'n' roll stuff... that's what I really dig. And I also dig to sing ballads as well. And I also dig writing my own songs. I was just trying to find a way of integrating the whole thing, taking a look at the total picture.
I've become really interested in the landscape but not as landscape but more as it relates to mood and how we live and how the outside impacts on the inside. I didn't really look at the outside world during the years I was photographing the Ballad as I was locked inside my house and I lived totally inside.
I've sung since I talked, when I'm two, but what I sang was ballads, because it's very hard to do a dance track with your little acoustic guitar when you're a kid.
Lee Morgan used to stand behind me when I was playing a ballad and he'd be hollering, "Play the pretty notes, man, play the pretty notes." I thought I was playing the pretty notes, but you know, things like that help you to reach a little further.
I would start off with a lively rag, then would come a ballad, followed by a comedy song and a novelty number, and finally, the hot song. In this way, I left the stage with the audience laughing their heads off.
When power ballads come back, we'll get big hair again.
During the 'ballad' years for me, the politics was latent; I was just falling in love with the ballads and my boyfriend. And there was the beauty of the songs.
It was very romantic. It's all in the song, The Ballad of John and Yoko. If you want to know how it happened, it's in there. Gibraltar was like a little sunny dream. I couldn't find a white suit - I had sort of off-white corduroy trousers and a white jacket. Yoko had all white on.
I like "God Give Me the Strength" very much. It's not really a blues and to call it a ballad is absurd. I don't know, its mid-tempo. Mark (St. John) actually wrote it and I think its very telling of our lives in the 60s. Its just a good song, ya know.
I sang my song called "In This Song." David Foster wrote the song for me. I thought that I should sing a ballad song.
I didn't want to be a solo Westlife - covers and ballads - and the reason I signed with Capitol Records was because they wanted me to write songs myself. It was pretty scary, but they put me in a studio in Nashville with some new songwriters, and the results were pretty good.
You know One Direction do a lot of up tempo songs, but when they did that Ed Sheeran song 'Little Things,' that was probably their biggest song off their last album, so it shows you that a ballad never goes out of fashion.
Even the sad roots songs have a lot of good stories to them, and the murder ballads are good too. I mean, who doesn't like to watch a nice gory murder film on TV?
There are a lot of murder ballads out there, but most of them are about killing the woman. I was like, "We've gotta turn this around!"
All of my favorite songs can bring me to tears. Some are rock, some are blues, some are love ballads. That's why I play music - to touch other people as I have been touched.
I think ballads transcend better into my work when I remix something.
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