I followed most of the 80's bands into the 90's as most of those folks who hadn't moved away were all still active. However, there was a point when I lost track of the new bands coming up.
I used to do this big rant at the end of some gigs with Ben Folds Five. The band broke into this big heavy metal thing and I started as a joke to scream in a heavy metal falsetto. I found myself saying things like: Feel my pain, I am white, feel my pain.
I've sung background for a couple of bands.
Everyone eventually winds up writing about themselves - the problem is finding the best way to go about it. To write about oneself literally, in the first person, presumes a more interesting personal life and philosophy than most rock lyricists possess. John Lennon was good for one great album based on musical direct address, 'Plastic Ono Band.
The Rolling Stones are constantly changing, but beneath the changes they remain the most formal of rock bands. Their successive releases have been continuous extensions of their approach, not radical redefinitions, as has so often been the case with the Beatles.
I sing and play guitar in the band 'Marcy Playground'.
There was a band in Australia named Midnight Oil, and they were a very, very political, and they literally hit you over the head with a hammer. U2 sometimes can hit you over the head with a rubber hammer.
I've had nightmares about having to kick people out of my band because they've said that they don't like the Beatles. I'd wake up and turn to them and say, "You like the Beatles, right?"
What affected me the most about the Beatles was that they were the biggest band in the world and they could have done anything they wanted.
Sometimes playing TV can be really nerve-wracking, and I think I tend to handle that by trying to look at my band-mates as frequently as possible and ignore everything else.
I'm a big fan of London in the summertime. English people are dependent on weather to change our attitudes, and, provided it's a decent summer, everyone's spirits are uplifted and the whole place is in bloom. It's a magical transformation. London in the summer, going to see bands play outside, watching football.
That's what you join a band for, is to make music. Not to sit around and have five years off. We're not getting any younger.
I find it hard to express myself when writing from the f - - - heart or the a - , or wherever. It's just like anything, it's (easier) when you get used to it, but I've not done it. I was just a singer in a band.
It's hard to cover for someone who's disrespectful and ungrateful...To say, 'I didn't quit the band' is just not true. It's disingenuous.
Benny Goodman's band was integrated before baseball. Even before it was physically integrated, music was integrated. Everyone listened to Armstrong and Ellington. The 20s was called the Jazz Age. It's part of being American.
With rock music, it usually revolves around the band. You go in as a band and probably take about a year to record an album. But for a hip-hop song, you can create a track and an idea with verses and choruses in a day, and get three different people on it. It seems like you're able to do more with hip-hop.
I've always loved playing in bands where there's like three or four people and we're all throwing out ideas and coming together to make an album.
I dont think we're the type of band people look at and say, 'I want to grow up to be just like that'. We're like a train wreck.
We really try not to spend too much time thinking about what we're supposed to be a punk band, or whatever. We do the exact same thing today that we been doing for years and years and years.
I'm in a band, and I know exactly who those girls are. I know exactly what goes on backstage. I wish I had a little leash to walk him around.
I've been asked to write my autobiography and really they only want 8 years (1962-1970), and I keep saying it would be five volumes before I even got into the band!
I struggled more than anything else to find a voice for this band.
The most inspiring drummer for me is Stewart Copeland from The Police. The Police are the first band I can remember really liking, and Copeland is a guy who was playing in sort of a rock band, or a rock-pop band, but he didn't want to do the traditional kind of rock drumbeat. He was doing all these kind of reggae rhythms, and the reggae style is almost an exact opposite of the rock mold of drumming.
I started performing at home as a kid putting on shows and lip-syncing Michael Jackson for the grown-ups. Then, in musicals and plays in school. At 17, I was performing in coffee shops and in parking lots at Phish shows. At 18, I had a band that played local shows in the Northwest.
I was still doing the punk thing, but also playing in some indie bands, I had a less crazy hairstyle.
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