Plays bass guitar in rock band "Capitol Offense".
Back in the days, the groups and the bands that we listened to were like Earth, Wind and Fire, Santana and Grateful Dead. We don't have a lot of those bands anymore.
There's a difference between 'glamour' and 'glam rock'. Glam rock, to me, is a bunch of straight, hairy, football-liking lager lads dressed up in mother's castoffs and glamour is a certain sophistication, a certain other-worldliness, a certain unattainableness, which I think we certainly calculate. We believe that a band should be slightly larger than life - you should be transported to an alternate reality. I'm giving you some really good answers here, I'm very proud of myself.
High school and college were my punk, formative years. I was playing hardcore, learning to be a musician. In bands, you tour, but you're paid nothing; you're playing to 50 people in a basement, sleeping in a van, and you love it.
Strip clubs are the only place the band can go if we want to have a drink. You're left alone because the last thing the people there care about is us.
We few, we happy few, we band of brothers - joined in the serious business of keeping our food, shelter, clothing and loved ones from combining with oxygen.
Teenagers are bored. By everything. Show a teenager an actual volcanic eruption, in progress, featuring giant billowing clouds of smoke, hot rocks raining from the sky, lava floes destroying entire villages, etc., and the teenager, eyebrows arched with sarcasm, will look at you and say, "Gee, this is swell," then return to the rental car, turn on his portable CD player, and listen to a band called Stomach Contents.
I came out here to do the acting, and then after a year of auditions and not getting anything, I met these Italian guys and they asked me to write lyrics for them. Then they said, "Why don't you just front the band?" I said, "Well, maybe because I can't sing. I've never sang before in my life."
To play with a band all of the time, just about nightly, was good for me because I wrote lots of arrangements and I got a lot of my transposition and chords ironed out.
Actually touring solo is a little more difficult. It's more demanding than being under the "wing" of the band, no pun intended. It's more intimidating to sing in front of smaller crowds. The buck stops with me.
When you're songwriting, it's like talking about your own life experience. When you're with a band, you have to compromise.
For me, a great show is when there's a great rapport with the band and the audience, and we're all really into it. The first trick is to bring the audience into the band, break the ice, have a life, and be one, so you can enjoy the next hour and a half together.
Usually, the best thing is when the band goes to the bar and gets the corner table, we sit there like kings, and then they bring people to us. It's just rock 'n' roll. It's stupid, really.
To go see a band in a big venue is a difficult experience. I don't really like that too much. I'm not a guy who puts on iTunes and goes, "Oh, what's hot!" I don't need to.
There are so many parts of music that it's actually a pleasure for me to work with an orchestra, or a jazz band, or a choir, and use every element that the musical tool box can offer. The world of music I love so much, and I can change the costume depending on the part, and I'm actually in the film.
They tell me that So-and-So, who does not write prefaces, is no charlatan. Well, I am. I first caught the ear of the British public on a cart in Hyde Park, to the blaring of brass bands,and this . . . because . . . I am a natural-born mountebank.
Of the One O'Clock Lab Band after hearing their performance, and sitting in with them at the White House: "I wish it were mine".
The ensemble playing is as clean as a whistle. The band plays in tune and with dynamics. Also, there is some fine arranging and orchestrating going on here, and the soloists perform at top level.
It is really refreshing to hear a big band that has the ability to execute ensemble passages with swing and precision while retaining a "small group" feel during the solo sections. This kind of "tight, loose" approach is seldom heard in big bands, whether they are professional or not. Now, all the band needs is to hit the road and take the music around the world!
Theres a lot to be said for bands who fight to be relevant. But CONVINCING people you're relevant? Thats like telling people its not raining when they're soaking wet.
In baseball, it's tough to get up for every single game, every single moment. In football, you have 90,000 fans screaming and the band's playing. I do miss that adrenaline rush.
We invest far off places with a certain romance... Long summers, mild winters, rich harvests, plentiful game; none of them lasts for ever. Your own life, or your bands, or even your species - might be owed to a restless few, drawn by a craving they can hardly articulate or understand, to undiscovered lands, and new worlds.
In high school no guys wanted to be in a band with me unless I was going to play bass or play grindcore or be in a scream-o band, so it was fun to finally have that experience of having my songs backed by a drummer and a bassist who were just as excited about it as I was.
I'm a drummer. I've been playing since I was three. I was in college bands when I was in elementary school: you'd see all these older kids and then this little kid behind the drums creating this big sound.
I feel like you've gotta be able to get up every night in front of a live audience. Whether it's 10 people or 50 people or a hundred people, whether you're in a rock band or doing the comedy circuit.
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