The artist had captured a moment that went on suggesting other moments in the mind of the beholder. This, Timmon told me, was what every painter, every singer, every craftsman sought to create.
Though we travel the world over to find beauty, we must carry it with us or we find it not . . . The difference between landscape and landscape is small, but there is a great difference in beholders.
A beautiful woman is a picture which drives all beholders nobly mad.
The experience of beauty is in the eye of the beholder, as they say. The artist's relation to the object of beauty, how the art makes that happen, is a whole other subject. Beauty is an event. Beauty is something that happens. There is no such thing as a beautiful object or a beautiful woman. These things do not come near it - the experience of beauty, the event of beauty. The anxiety about it is what makes it such a central concern of culture and makes us so interested in it.
Scientific perspective forces the objects in a picture to disappear away from the beholder instead of bringing them within his reach as painting should.
An artist finds his happiest combination in a play of complementary colors. They are direct contrasts yet do not jar; they awaken the beholder, but do not disturb him.
Power. like the diamond, dazzles the beholder, and also the wearer; it dignifies meanness; it magnifies littleness; to what is contemptible, it gives authority; to what is low, exaltation. To acquire it, appears not more difficult than to be dispossessed of it when acquired, since it enables the holder to shift his own errors on dependents, and to take their merits to himself. But the miracle of losing it vanishes, when we reflect that we are as liable to fall as to rise, by the treachery of others; and that to say "I am" is language that has been appropriated exclusively to God!
They say beauty is in the eye of the beholder, but us sheep know, true beauty is not in the eye: it lives in the mind.
Luck often raises vulgarity to a high position, to create mirth for the beholders.
Mere bashfulness without merit is awkward; and merit without modesty, insolent. But modest merit has a double claim to acceptance, and generally meets with as many patrons as beholders.
The whole Renaissance tradition is antipethic to me. The hard-and-fast rules of perspective which it succeeded in imposing on art were a ghastly mistake which it has taken four centuries to redress; Cezanne and after him Picasso and myself can take a lot of credit for this. Scientific perspective forces the objects in a picture to disappear away from the beholder instead of bringing them within his reach as painting should.
In every art we are always obliged to return to the accepted means of expression, the conventional language of the art. What is a black-and-white drawing but a convention to which the beholder has become so accustomed that with his mind's eye he sees a complete equivalent in the translation from nature?
Beauty is in the eye of the beholder, which is a pity because this week the National Association of Beholders wrote to tell me that I've got a face like a rucksack full of dented bells.
Well, beauty's in the eye of the beholder... It's all subjective. I'm kind of shy about it, but I'll take it.
Power is something that is abused. I suppose use and abuse are in the eye of the beholder.
How beautiful is modesty! It winneth upon all beholders; but a word or a glance may destroy the pure love that should have been for thee.
A garden is to be enjoyed, and should satisfy the mind and not only the eye of the beholder. Sounds such as the rustle of bamboo and the dripping of water, scents and sensations such as grass or gravel or stone underfoot, appeal to the emotions and play a part in the total impression.
The poet presents the imagination with images from life and human characters and situations, sets them all in motion and leaves itto the beholder to let these images take his thoughts as far as his mental powers will permit. This is why he is able to engage men of the most differing capabilities, indeed fools and sages together. The philosopher, on the other hand, presents not life itself but the finished thoughts which he has abstracted from it and then demands that the reader should think precisely as, and precisely as far as, he himself thinks. That is why his public is so small.
Beauty Is in the Eyes of the Beholder!
Like propaganda generally, advertising must thus pervade the atmosphere; for it wants, paradoxically, to startle its beholders without really being noticed by them. Its aim is to jolt us, not "into thinking," as in a Brechtian formulation, but specifically away from thought, into quasiautomatic action: "To us," as an executive at Coca-Cola puts it, "communication is message assimilation--the respondent must be shown to behave in some way that proves they [sic] have come to accept the message, not merely to have received it.
But the mark of American merit in painting, in sculpture, in poetry, in fiction, in eloquence, seems to be a certain grace withoutgrandeur, and itself not new but derivative; a vase of fair outline, but empty,--which whoso sees, may fill with what wit and character is in him, but which does not, like the charged cloud, overflow with terrible beauty, and emit lightnings on all beholders.
A healthy soul stands united with the Just and the True, as the magnet arranges itself with the pole, so that he stands to all beholders like a transparent object betwixt them and the sun, and whoso journeys towards the sun, journeys towards that person. He is thus the medium of the highest influence to all who are not on the same level.
Be a calm beholder of what is happening around you.
Art is in the eye of the beholder, and everyone will have their own interpretation.
I'm not a celebrity or near celebrity. Sometimes people will say, "You're famous" and that stops me right there. What does fame mean? Fame is in the eye of the beholder. So, if somebody wants to call me 'famous', that's their business. I'm just me, a guy who messes around with airplanes and writes books that make sense to him.
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