In black America there's such a thing as passing, the black people who are light skinned and they will pass for white.
Eddie [Murphy] is an icon. He's one of the reason why I started doing comedy in the beginning. He opened a lot of doors for black people.
I'm racist against non-black people.
We're going to have to debunk the myth that Africa is a heaven for black people -- especially black women. We've been the mule of the world there and the mule of the world here.
Black people's music is in a class by itself and always has been. There's nothing like it. The reason for that is because it was not tampered with by white people. It was not on the media. It was not anywhere except where black people were. And it is one of the art forms in which black people decided what is good in it. Nobody told them. What surfaced and what floated to the top, were the giants and the best.
Anything I have ever learned of any consequence, I have learned from Black people. I have never been bored by any Black person, ever.
It's always seemed to me that black people's grace has been with what they do with language. In Lorrain, Ohio, when I was a child, I went to school with and heard the stories of Mexicans, Italians, and Greeks, and I listened. I remember their language, and a lot of it is marvelous. But when I think of things my mother or father or aunts used to say, it seems the most absolutely striking thing in the world.
Two parents can't raise a child any more than one. You need a whole community - everybody - to raise a child. And the little nuclear family is a paradigm that just doesn't work. It doesn't work for white people or for black people. Why are we hanging onto it, I don't know. It isolates people into little units - people need a larger unit.
If we [black people] do not show up and support the march towards cinematic equality, the march towards being on a level at - we don't even have to be higher than whites, but to be viewed in the same common thread of this is a professional, these are stories that people are interested in, instead of being fed the same old BS dogma that's been fed and the studios have used.
To me the industry has always said that the lovers and haters and principal characters will always be white in Hollywood, and black people will always be appendages of those kinds of dramas, or they will be comedic outlets. It will never change.
A lot of young black people in America, and even in Africa and Brazil, would say that they are telling their story, but most of the films are like application forms with the formulaic ideas of Hollywood.
Lots of white people think black people are stupid. They are stupid themselves for thinking so, but regulation will not make them smarter.
Either black people end up being the best in sports, or else it's show business. You know, we all got rhythm.
I like a bit of color myself, I must say. At my time of life, if you wear nothing but black, people might think you were too mean to change frocks between funerals.
I marvel at the many ways we, as black people, bend but do not break.
God made men by baking them in an oven, but he forgot about the first batch, and that's how Black people were born. And then he was so anxious about the next batch, he took them out of the oven too soon, so that's how White people were made. But the third batch he let cook until they were golden-golden-golden, and, honey, that's you and me.
The blues records of each decade explain something about the philosophical basis of our lives as black people. ... Blues is a basis of historical continuity for black people. It is a ritualized way of talking about ourselves and passing it on.
I try to write each piece in the language of the piece, so that I'm not using the same language from piece to piece. I may be using ten or twenty languages. That multiplicity of language and the use of words is African in tradition. And black writers have definitely taken that up and taken it in. It's like speaking in tongues. It may sound like gibberish to somebody, but you know it's a tongue of some kind. Black people have this. We have the ability as a race to speak in tongues, to dream in tongues, to love in tongues.
Brown people and black people and red people swarmed through our great halls, until those who were white looked simply faded-out human beings beside them. Indeed, I came to see that white is not a color in skin any more than in textiles, and if it had not quality, it had no value even for humanity. I saw that color in skin had a certain advantage in strength and warmth as a means of beauty.
Words have consequences, and I judge people not only by their words but what they do. And if you look at people who have a pattern, who've built a career out of dividing people and who built a career out of often not just Obama but finding ways to degrade and diminish African-Americans and African-American leaders. It's racist to consistently make your living on the backs of black people.
Throughout history there have been black people who have played mammies, all sorts of offensive images, who didn't mind doing it.
Growing up, I was always the only black kid on my team and (sometimes) I'd get questions from my friends when I'd say, `I want to be in the NHL' and they'd say, `Well, there are no black people or not very many in the NHL' and as a kid, you'd wonder why. But overall, I didn't really face any racial difficulties. Nothing too bad or too lasting.
Racial oppression of black people in America has done what neither class oppression or sexual oppression, with all their perniciousness, has ever done: destroyed an entire people and their culture.
I've always maintained that black people and women suffer from a presumption of incompetence. The burdens of proof are different. It just gets so tiresome.
I love Obama because he is proof all black people don't look alike. Nobody every told me, 'Good morning, Mr. President.' We don't all look alike.
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