Doing the best at this moment puts you in the best place for the next moment.
Knowing what must be done does away with fear.
My identity is very clear to me now, I am a black woman.
Perhaps...I am the face of one of your fears. Because I am a woman, because I am Black, because I am a lesbian, because I am myself--a Black woman warrior poet doing my work--come to ask you, are you doing yours?
When you're a black woman, you seldom get to do what you just want to do; you always do what you have to do.
As indicated by the increase in maternal mortality in 2010, right now it's more dangerous to give birth in California than in Kuwait or Bosnia. Amnesty International reports that women in [the United States] have a higher risk of dying due to pregnancy complications than women in forty-nine other countries (black women are almost four times as likely to die as white women). The United States spends more than any other country on maternal health care, yet our risk of dying or coming close to death during pregnancy or in childbirth remains unreasonably high.
This is a career about images. It's celluloid; they last for ever. I'm a black woman from America. My people were slaves in America, and even though we're free on paper and in law, I'm not going to allow you to enslave me on film, in celluloid, for all to see.
Black women's feelings of responsibility for nurturing the children in their own extended family networks have stimulated a more generalized ethic of care where black women feel accountable to all the black community's children.
I wish I could be the black woman Soderbergh, and put the camera on my shoulder and shoot beautifully while I directed.
I make films about Black women and it doesn't mean that you can't see them as a Black man, doesn't mean that he can't see them as a white man or she can't see them as a white woman.
Year after year, author/historian William Loren Katz continues to mine the lodestone of Black culture, and it is simply amazing how often he manages to find new treasures. Here, with the same insight he brought to Black Indians and his other books, the author traces the courageous role of Black women in settling the West. He deftly shows how these pioneering spirits helped stabilize early communities in Texas, Oklahoma, California and elsewhere.
There is a big risk for the Republicans in a race, especially with Hillary Clinton as a likely Democratic nominee in a contest that will focus on the possibility of the first woman president to be six months suspending up the nomination of a black woman, who is imminently qualified.
As a Black woman filmmaker I feel that’s my job: visibility. And my preference within that job is Black subjectivity. Meaning I’m interested in the lives of Black folk as the subject. Not the predicate, not the tangent.[These stories] deserve to be told. Not as sociology, not as spectacle, not as a singular event that happens every so often, but regularly and purposefully as truth and as art on an ongoing basis, as do the stories of all the women you love.
Time will tell ... whether folks want to point and stare at the black woman filmmaker who made a certain kind of film, and pat her on the back, or if they want to actually roll up the sleeves and do a little bit of work so that there can be more of me coming through.
When Shonda Rhimes writes her autobiography, it should be called How to Get Away With Being an Angry Black Woman.
Some black filmmakers will say, "I don't want to be considered a black filmmaker, I'm a filmmaker." I don't think that. I'm a black woman filmmaker.
A Different World was run by black women, Debbie Allen and Yvette Lee Bowser. Lead writer Susie Fales-Hill was a hero of mine, because she was 28 when she was running one of the top shows on television. Going to work every day and seeing black women in charge made that normal to me.
You may not always have a comfortable life and you will not always be able to solve all of the world's problems at once but don't ever underestimate the importance you can have because history has shown us that courage can be contagious and hope can take on a life of its own.
Bringing the gifts that my ancestors gave, I am the dream and the hope of the slave. I rise. I rise. I rise.
My father was a slave and my people died to build this country and I am going to stay here and have a part of it just like you.
Whatever we believe about ourselves and our ability comes true for us.
To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.
I am the dream and the hope of the slave
People will never forget how you made them feel.
I'm not angry. And I don't like the thing of the 'angry black woman,' either.
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