My belief is that it is most important for an artist to develop an approach and philosophy about life - if he has developed this philosophy, he does not put paint on canvas, he puts himself on canvas.
One of my favorite beauty products is Vincent Longo Water Canvas creamy blush. I have it in every color and I've been using it for 5 years and that's all I put on when I leave the house. It looks so natural I just put a little bit on my cheeks to give them some color.
Lenelle Moïse's poems render the abstract - policy, disaster, history, diaspora - specific. Her words make the political not just personal, but corporeal: the beautiful system of the human body as canvas and subject, perfect in all its attendant complications and complexity, and still ruled, undeniably, by a warm, beating heart.
The challenge of yoga is to go beyond our limits - within reason. We continually expand the frame of the mind by using the canvas of the body. It is as if you were to stretch a canvas more and create a larger surface for a painting. But we must respect the present form of our body. If you pull too much at once, we will rip the canvas. If the practice of today damages the practice of tomorrow, it is not correct practice.
I don’t like to talk about what my paintings mean since they are so personal, so I like to leave it up to the viewer’s interpretation. It’s very strange to pour your heart out onto canvas and then put it on display for the whole world to see.
The painter puts brush to canvas, and the poet puts pen to paper. The poet has the easier task, for his pen does not alter his rhyme.
Light is my brush. Film is my canvas.
The only way men or women can be judged is against the canvas of their own time.
I see for others... in order to put on canvas the sudden apparitions which come to me.
Heaven speed the canvas, gallantly unfurl'd, To furnish and accommodate a world, To give the Pole the produce of the sun, And knit the unsocial climates into one.
If hindrances obstruct the way, Thy magnanimity display. And let thy strength be seen: But O, if Fortune fill thy sail With more than a propitious gale, Take half thy canvas in.
Put a colour upon a canvas - it not only colours with that colour the part of the canvas to which the colour has been applied, but it also colours the surrounding space with the complementary.
Before I put brush to canvas, I question, 'Is this mine? ...Is it influenced by some idea which I have acquired from some man? ...I am trying with all my skill to do a painting that is all of women, as well as all of me.
You put a blob of yellow here, and another at the further edge of the canvas: straight away a rapport is established between them. Colour acts in the way that music does.
I find that it is important to work slowly. Anyone who looks at such a canvas will follow the same path the artist took, and he will experience that it is the path which counts more than the outcome of it, and that the route taken has been the most interesting part.
Take the birds which you'll have noticed in so many of my recent paintings. I never thought them up, they just materialized of their own accord; they were born on the canvas... it is absurd to read any sort of symbolic significance into them.
The scenery of mountains painted on the ever-changing azure canvas of the sky, the mysterious mechanism of the human body, the rose, the green grass carpet, the magnanimity of souls, the loftiness of minds, the depth of love - all these things remind us of a God who is beautiful and noble.
The spot paintings, the spin paintings, they're all a mechanical way to avoid the actual guy in a room, myself, with a blank canvas.
Light - dews - breezes - bloom - and freshness; not one of which... has yet been perfected on the canvas of any painter in the world.
Cold exactitude is not art... The so-called consciousness of the majority of painters is only perfection applied to the art of boring. People like that, if they could, would work with the same minute attention on the back of their canvas.
I'm not videotaping my life, but in a way I am trying to put certain things about myself on canvas.
Do not imagine that I would disregard that thing that lies beneath the mask... but be sure that when the outside is rightly seen, the thing that lies under the surface will be found upon your canvas.
My way is to seize an image the moment it has formed in my mind, to trap it as a bird and to pin it at once to canvas. Afterward I start to tame it, to master it. I bring it under control and I develop it.
People think you can get out your canvas and paint any time you have a free moment. You can't. Commercial art and painting are entirely different. Painting takes a different mental approach. You have to get the right attitude, the right mood.
Of course, when one is faced with a canvas, one is no longer alone, and the sense of solitude diminishes. This can be an agreeable passage of time. In fact, solitude then becomes a kind of companion.
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