No, the type-casting didn't happen until after Star Trek. I don't think that you get typecast until you've been cast!
I got an internship with the casting director of The Girl Next Door. I would hold the clipboard and help them in their casting sessions and get them lunch.
I didn't really know what I wanted to do, and then I got this call from a casting director in Los Angeles. She remembered me from something years before, and she called my mom wanting me to audition for this thing.
Because of my Marxism, I was not into myths or miracles, whether it was the virgin birth, the physical resurrection or casting out demons from an epileptic.
I am much more involved in the filmmaking experience on Mag Seven. I'm much more involved in story elements, casting decisions, the writing of the show, the blocking of the scenes.
I got space from Travis Air Force Base, went back to the Philippine Islands and made it a point to meet the only American casting director in the Philippines. I was off and running.
The stuff that I got in trouble for, the casting for The Godfather or the flag scene in Patton, was the stuff that was remembered, and was considered the good work.
I think the way it works is that when you're casting a movie, you usually want to work with people that you believe in.
There's editing, and scripts to read and edit, and casting, and all the elements of production that just sort of take up the normal downtime that you would have as an actor. So there's not a lot of that for me.
I just like to catch fish, I don't care if it weighs half a pound or 10 pounds. But I can't do a lot of casting. I can work a jig or a worm. But not for long, especially if the big ones are biting. Those big bass will make it hurt after a while.
The Dead was cool, It's a great horror story. I went to the casting director of this movie and talked to him, then they called my agent and had me come in and read for it and they wanted to use me.
I tried out for another show while I was in college so I could pay off my student loans, and it sort of led to The Real World. The same people that were casting that show were casting The Real World, so they asked me to do it.
Everybody gets typecast in movies, but you have to make wise choices. I'd say around 90 percent of movie casting is about the way you look, so you have to fight that. If producers had their way, I'd only be in action films, but I'm interested in a more varied career than that.
Those who are really in earnest must be willing to be anything or nothing in the world's estimation.
If you believe that God put you here to act, then you have to be different. Go into casting offices, with something other girls don't have
I can't even begin to tell you how many casting couches I was attacked on. Not just by casting people, but by stars.
Casting is storytelling.
Every casting director I've met is a woman.
Directors are not worried about casting beautiful women, but they are not sure that they want to cast great-looking men. My looks have prevented people from seeing my work objectively.
I can honestly, and proudly, say that I never was on the casting couch. Oh, of course there have been advances from certain men in the movie industry, but nothing overwhelming.
In the studio, I don't do a lot of work that requires repetitive activity. I spend a lot of time looking and thinking and then try to find the most efficient way to get what I want, whether it's making a drawing or a sculpture, or casting plaster or whatever.
I realized it wasn't necessary to work in the traditional methods of carving and casting.
I always think that a director who knows about the technical side, but cares about the acting performances and casting as well, is ahead of the game.
At fifteen one is first beginning to realize that everything isn't money and power in this world, and is casting about for joys that do not turn to dross in one's hands.
Maybe I'm too masculine. Casting directors cast in their own, or an idealized image. Maybe I don't look like anybody's ideal.
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