It's a privilege to present 'Late Night Live'. No radio program, anywhere on Earth, casts a wider net.
The God that holds you over the pit of hell, much as one holds a spider... abhors you, and is dreadfully provoked: his wrath towards you burns like fire; he looks upon you as worthy of nothing else, but to be cast into the fire.
I thought that, with so much current attention focused on the topic of North Korea, I might share what I think are three books which cast a rare light on the elusive realm of North Korea.
Sense is our helmet, wit is but the plume; The plume exposes, 'tis our helmet saves. Sense is the diamond, weighty, solid, sound; When cut by wit, it casts a brighter beam; Yet, wit apart, it is a diamond still.
God of deep waters and infinite riches, challenge me to go where I fear, to do what is difficult and what I thought could never be done. Push me to go to the deep waters of life and cast my net wide, for I put all my hope, trust and faith in you.
Around the steel no tortur'd worm shall twine, No blood of living insect stain my line; Let me, less cruel, cast the feather'd hook, With pliant rod athwart the pebbled brook, Silent along the mazy margin stray, And with the fur-wrought fly delude the prey.
My own sense of the world is that very little is absolute or black and white or easily understood. I suppose in all my writing I'm trying to cast the reader into this spiritually ambivalent dream world, which hopefully mirrors more honestly the complex reality we find ourselves in.
I never knew that when you're number one on the call sheet you have not only the responsibility of carrying the film but also the responsibility of keeping up the morale of the crew and cast.
The beauty of when you watch good television or films is that, yes, you may have a multi-cultural cast but those roles could be anybody - they could be white, they could be black. To show the world that we have more in common than we have different with each other is to me the ultimate goal of all of that. It does help unite in people's mind the thought that people are the same. Yes, there's going to be cultural differences, but for the most part, we are all in the same gang as human beings.
The great thing about space films generally, with the exception of Apollo 13, is that big stars tend not to work in space and I think that's because space is an equaliser. It makes everyone the same really and suits an ensemble cast and actors who are prepared to work with each other.
You should just write the movie based on people you actually know and then just see who wants to play it. Cast the net.
Studios might cast an actor because he is too tall next to the leading lady, who is too short, or they might not cast your guy because he's blond, and they wanted a brunette. There's all kinds of reasons why they want one person over another. I don't worry about it, but it can hurt sometimes if you really wanted something, if you really went after something.
No matter what the level of funding or success may be, there's always money missing, and you still want to have a gorgeous image, an endless cast and a flawless rendering.
I did 50 takes on Robert Shaw assembling the Greener Gun on 'Jaws.' The shark wasn't working, so I just kept shooting to make the production report look like we were accomplishing something and to keep cast and crew from going crazy from boredom. It was a strategic indulgence.
It's funny because I went to a predominantly white school, but for some reason they always picked the musicals that were supposed to be done by totally black casts.
It was great for that to be my first movie with such a wonderful cast, and such a huge movie. And now I get to do The Fighting Temptations, which is coming out soon-it wasn't much of a character, it was more of a real person, so I got to show more of my acting range.
I'll get cast occasionally as sort of the jerk version of myself, and I have fun doing that. But it's really better for everyone if I stay behind the camera.
I didn't get the Russian Jew part because they didn't think I looked Russian or Jewish enough - and, mind you, I am both Russian and Jewish - so I was cast as the racist Mexican.
Everyone casts a shadow. Everyone has a relationship with the fearful unknown.
History isn't just what happened, but what happened to whom and why and what would have been different if the cast of characters had been different.
I got a phone call from George Miller [the director] asking me to play this role. We sat down and he showed me on his computer a documentary-type montage sequence of real penguins swimming, in an Esther Williams synchronized sort of way, and doing things I have never seen them do. Then he explained his vision of the film, asked me to read the script and to voice the character. I was cast a little bit later, and he let me do the singing as well!
I think we all felt it on this movie - crew and cast. You never know when you're making a movie... no one is saying in the middle of Casablanca that this is going to be a classic. The lead actors had turned it down and I think they wound up with B-list actors at the time.
So, they had this 40-odd year friendship with each other and with Mr Harwood. So, when I came on it Albert, Tom and Maggie were in the cast. But then Albert wasn't up for it, so he had to withdraw.
In terms of the stars, the only ones I cast were Billy Connolly and Pauline Collins. I was in Los Angeles working and a lot of this took place on the telephone. I'd met Maggie [Smith] once and I'd come back-stage, which I'm usually loathe to do because as an actor you don't want people coming back because you want to get home [laughs].
When I came to know Mrs. Marcet personally; how often I cast my thoughts backward, delighting to connect the past and the present; how often, when sending a paper to her as a thank you offering, I thought of my first instructress.
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