A lot of writers that I know have told me that the first book you write, you write about your childhood, whether you want to or not. It calls you back.
There's something about strip malls that just reeks of my childhood.
Well, I took ballet for many, many years, so my whole childhood really revolved around dance class. I grew up around dance; my mother was a dancer.
My childhood was really comfortable and secure, but school was a nightmare. I was a lot taller than the other girls and they called me Gitte the giraffe.
I look back to a happy childhood.
There are moments when I can wander through my childhood's landscape, through rooms long ago, remember how they were furnished, where the pictures hung on the walls, the way the light fell. It's like a film - little scraps of a film, which I set running and which I can reconstruct to the last detail - except their smell.
In your twenties, if you have any amount of complexity in your childhood, or any trauma that you haven't dealt with, it comes out. That's why you have a lot of artists that don't make it through.
I had a lot of chaos in my very early years before I was old enough to know what was going on, and then I just skated through the rest of my childhood without dealing with it.
You know, my childhood was pretty colorful; I like to use the word turbulent.
I'm sure I had low-level scurvy all of my childhood.
Dizzee's just my childhood hero. He's definitely the inspiration. He's got himself to a very good place. He's defied the expectations of what British black urban music was like. He was the first person who made the rest of Britain realise it wasn't just a one-album-type situation. You've got to take your hat off to somebody like that.
It's hard to separate your remembered childhood and its emotional legacy from the childhoods that are being lived out in your house, by your children. If you're lucky, your kids will help you make that distinction.
When I was a kid, I used to see apparitions and have hallucinations, and my entire perception of the world was badly disoriented. And I had kind of a chaotic childhood because of that. I've really hung onto it, though. Because I actually like those feelings.
Listen, everything I did in my childhood was competitive. Everything we did my dad made it into a game to win. We used to drive my mum nuts.
From early childhood, I was interested in understanding how the world worked, and assumed I would be some kind of physical scientist or chemist. But the truth was, I didn't know there was another kind of world, the inner world, that was just as interesting, if not more relevant, than what was going on in the outside world.
Stand By Me' was really great for me and my buddies; we'd all watch that together because that was us - we were down in the creek and hanging out every day and going on little adventures. I had about sixteen friends who are all about the same age as me and lived in a three-block radius. We spent our entire childhood down in that creek.
I have always believed in the magic of childhood and think that if you get your life right that magic should never end.
I would have stayed forever within the garden of Re-mose's childhood, but time is a mother's enemy.
I try to interpret how people subjectively experience life. Everyone has a great, horrible opera inside him. I feel that my plays, in a way, are very old-fashioned. They’re pre-Freudian in the sense that the Greeks and Shakespeare worked with similar assumptions. Catharsis isn’t a wound being excavated from childhood.
I lost my childhood. I didn't play football or video games. Or have birthdays or the love of a family.
You should really try to live your childhood when you’re a child, because if you do it when you’re 26, it can be dangerous.
There were periods during my childhood when I stammered so badly I couldn't talk at all.
I had a very happy childhood.
I always was drawn to the performing arts. I started dancing when I was two. I sang, loved to act, and loved going to visit my mom on-set. But she wanted me to have a normal childhood, so I wasn’t really allowed to pursue acting till I got older.
My real name is Nils and Booboo is a childhood nickname. It's not two words or two capital B's, it's B-o-o-b-o-o.
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