Consider and act with reference to the true ends of existence. This world is but the vestibule of an immortal life. Every action of our lives touches on some chord that will vibrate in eternity.
What a proof of the Divine tenderness is there in the human heart itself, which is the organ and receptacle oft so many sympathies! When we consider how exquisite are those conditions by which it is even made capable of so much suffering--the capabilities of a child's heart, of a mother's heart,--what must be the nature of Him who fashioned its depths, and strung its chords.
A good example of a lyric that makes me laugh but might not hit anybody right away is, "Sit behind the guitar and play the chords," just because it's such a lame image. It's not rock'n'roll at all to be sitting behind a guitar.
I was 16 when I came to New York. I had graduated to a tenor banjo in the school jazz band, and it was kind of boring - just chords, chords, chords. Then my father took me to a mountain music and dance festival in Asheville, North Carolina, and there I saw relatively uneducated people playing great music by ear.
God is merely tuning the soul, as an instrument, in this life. And these joys of the Christian, are only the notes and chords that are sounded out in the preparation--preludes to the perfect harmony that shall flood the soul--forerunners of the perfected and rapturous joy that shall bless the soul, in that exceeding and eternal weight of glory.
And Paul hits this chord, and I turn to him and say, 'That's it! Do that again!' In those days we really used to absolutely write like that - both playing into each other's noses.
Thai food ain't about simplicity. It's about the juggling of disparate elements to create a harmonious finish. Like a complex musical chord it's got to have a smooth surface but it doesn't matter what's happening underneath. Simplicity isn't the dictum here, at all. Some westerners think it's a jumble of flavours, but to a Thai that's important, it's the complexity they delight in.
Each acoustic guitar has its own character and personality. On a particular day, I might pick one up and start noodling around, looking for some emotional content in the chords.
I can hear the library humming in the night, a choir of authors murmuring inside their books along the unlit, alphabetical shelves, Giovanni Pontano next to Pope, Dumas next to his son, each one stitched into his own private coat, together forming a low, gigantic chord of language.
I had a love affair with books, with characters and their words. Books kept me company. When the voices of the book faded, as with the last long chord of a record, the back cover crinkling closed, I could swear I heard a door click shut.
I know a few chords on the guitar, but I wouldn't be able do a show or even be part of a jam session with one.
It had better be quirky or perverse or thoughtful enough so that you hit some chord in them. I mean we've all read pieces where we thought, 'Oh, who gives a damn.'
Why play a chord when you can play one note?
Memento mori and obey the Lord. Art and religion love the somber chord.
If I don't already know a song's chord progression, I'll stop writing and try to figure it out. I can occasionally listen to unstructured, amelodic ambient music, but I prefer no music. I don't need silence - I can write just about anywhere - but music is a major distraction.
If you are having trouble making a chord, get a book, that is how I learned. There are guitar tuning apps so you can tune your guitar, and just learn how to play along with your records. And it's great to be able to play along with another musician. That is like trial by fire.
When I'm playing music I'm usually not thinking of surfing, just because I'm usually thinking about the chords and the lyrics, and sometimes that messes me up 'cause you'll start thinking, "Wait, how am I doing this?" But when I'm surfing, I'm usually thinking about music - whether it's an idea for a new song, or just singing a song in my head.
The melodies are always the most important part to me. I am pulled more to the groove than the chord progression. After you find the groove, you find the most simple chord progressions and then sit inside that groove.
I get inspiration, a lot of times, from very commonplace things that just strike a chord and develop themselves in the subconscious.
There are no rules or certain methods. I usually start with the guitar or piano and sing melodies over the chords. The lyrics seem to be born out of that, and the fact that it's still a mystery to me is my favorite part.
It's never happened to me before, in my career, and never will again. It's a one-off experience. It's a rare treat to have a cast together for six years. Crews come and go, and a few of them have been there throughout, but not many. It's rare, in my experience, after 26 years, to have had a proper company in a show that enjoys each other's company, and who is such a fine bunch of people and actors. To have struck a chord with people, and to have had that combination, is extremely rare.
I know I have patterns and I've always tried hard to avoid them. There are definitely certain things in my music, if I'm looking back, "Well, that was a period where I was experimenting with a certain kind of chord structure or a certain kind of sound." I've tried really hard, but I'd be hard pressed to tell you what that sound, what that tangible sound of "me" is.
I personally kind of yearn to play characters who are complex and who strike a truthful chord in me and who are challenged in some way and, I guess, who kind of move through those challenges.
I practice all the scales. Everyone should know lots of scales. Actually, I feel there are only scales. What is a chord, if not the notes of a scale hooked together?
I began to learn a lot of chords and rhythms. It was a bit boring at the time but came in very handy later on.
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