I began to learn a lot of chords and rhythms. It was a bit boring at the time but came in very handy later on.
So I learnt a few country western songs, I bought a chord book, and right away I started writing my own stuff, which nobody else did that, I don't know why.
I think I always thought of the guitar as the vehicle to be able to make some musical idea up. The only appeal to learning more chords was having more chords to put into songs. I never got too wrapped up in becoming technically good. So writing songs happened pretty simultaneously with learning how to play the guitar.
Maybe sometimes things come to you that you never, in a thousand years, would have included. But they strike a chord, so grab it. Trust your ability to know what's true to it and what would carry you off into outer space.
When we appeal to the throne of grace we do so through Mary, honoring God by honoring His Mother, imitating Him by exalting her, touching the most responsive chord in the sacred heart of Christ with the sweet name of Mary.
We weren't straight-A students. We didn't start playing until we were teenagers, and we started playing rock and roll and punk rock - power chords - before we ever thought we would play folk music. So virtuosity was just never in my reach.
What I love about lyrics is that they don't have to be very complicated. A good sentence over a great chord with a good melody - all you need is that one moment.
I think minimalism is something I just got attracted to just in general because I like the empty space, if you think about it, like there's a lot of empty space. So there are sounds there, there are chords, like coordinates, to sort of tell you where the emotion is going, but then it leaves so much room for the voice to do other things.
Branding is not merely about differentiating products; it is about striking emotional chords with consumers. It is about cultivating identity, attachment, and trust to inspire customer loyalty. Chinese brands score low on attributes such as “sophisticated,” “desirable,” “innovative,” “friendly,” and “trustworthy.”
I'd definitely like to see less twerking and more power chords.
I don't think my playing style has really changed over the years; it's just gotten better. I can hear the improvement in comparing older records and later records. I'm referring to soloing ability, to having a better sound, to knowing chords better, and getting rhythmically stronger. It also has to do with ideas - learning how to edit your ideas and being better able to follow ideas out to a logical conclusion.
Playing inside the changes means playing enough of the important notes of the chord progression at important times. A good solo might be very free, but every once in a while it loops or hooks into an essential note that describes the harmonic change.
You don't try to duplicate certain things that other cats do, because you could never do it as well as they do. Nobody can get on that tenor saxophone and play like Trane, because he's the only one who can spell out chords and sound good when he does it.
The greatest romance in the life of a lyricist is when the right word meets the right note; often, however, a Park Avenue phrase elopes with a Bleecker Street chord, resulting in a shotgun wedding and a quickie divorce.
To charm, to strengthen, and to teach: these are the three great chords of might.
To play with a band all of the time, just about nightly, was good for me because I wrote lots of arrangements and I got a lot of my transposition and chords ironed out.
Mozart, the last chord of a centuries-old great European taste.
A widow, the mother of a family, and from her heart she produces chords to which my whole being responds.
There was this big skiffle craze happening for a while in England.... Everybody was in a skiffle group..All you needed was an acoustic Guitar, a washboard with thimbles for percussion, and a tea-chest- you know, the ones they used to ship tea from India- and you just put a broom handle on it and a bit of string, and you had a bass..you only needed two chords; Jing-jinga-jing jing-jinga-jing jing-jinga-jing jing-jinga-jing. And I think that's basically where i've always been at. I'm just a skiffler, you know. Now I do posh skiffle, that's all it is.
I really love country music, just this idea of three chords and the truth.
I've never been a huge prog fan. My background is punk. My background is learning how to play a bar chord and listen to Discharge records when I was a kid.
I was pillaging a lot of music that had nothing to do with guitar playing, using a lot of strange tunings and voicings and chord structures that aren't really that natural to the guitar; I ended up developing a harmonic palette that's not particularly natural to the guitar because I was always trying to make my guitar sound like something else.
The marvels of God are not brought forth from one's self. Rather, it is more like a chord, a sound that is played. The tone does not come out of the chord itself, but rather, through the touch of the musician. I am, of course, the lyre and harp of God's kindness.
If I'm looking really intense, it's not because I'm trying to be mystical. It's because I'm thinking '[Dagnabit], that was supposed to be a 7th chord'.
Writing is a perpetual choice between a thousand expressions, none of which satisfies me, none of which, above all, satisfies me without the others. Yet I ought to know that only music permits a succession of chords.
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