For a long time I have compared cinema to music, I think cinema has a lot to do with the rhythm of music.
What I expect of a movie reviewer is that he should love cinema as much as I do.
I love watching a good, freaky horror movie. I love it. It's one of my favorite things to do, to go and see at the cinema. Just to tune out and be freaked out.
I like cinema. I am very fond of it. But from time to time I feel like having some time on my own.
You can lose in cinema too if you don't put on a good performance.
I tell my children to avoid theatre and go into cinema and TV.
I like it when somebody tells me a story, and I actually really feel that that's becoming like a lost art in American cinema.
It's a standard staple in Japanese cinema to cut somebody's arm off and have red water hoses for veins, spraying blood everywhere.
Today films are made to cater to commercial markets created by multiplexes, not for those who enjoy good cinema.
I was in jail four and a half years. When I came out, I continued the same struggle against injustice, but instead of using weapons, I began to use art and cinema.
It took a while for me to grasp that my colleagues believe I have made an impact on the history of cinema.
There's still a 1950s view of cinema, that there's one audience and they all want to see the same thing.
The cinema is an institution nowadays, with its roots sunk deep in the hearts of the millions of people who find enjoyment and entertainment in going to the pictures.
One of the things I love about cinema is the range.
Cinema is the culmination of the obsessive, mechanistic male drive in western culture. The movie projector is an Apollonian straight-shooter, demonstrating the link between aggression and art. Every pictorial framing is a ritual limitation, a barred precinct.
The saving grace of the cinema is that with patience, and a little love, we may arrive at that wonderfully complex creature which is called man.
To be only spectacular should be 5 or 10 percent of cinema.
Americans don't understand what metaphor in cinema is about. They're extremely good at making straightforward, linear narrative movies, which entertain superbly. But they very rarely do anything else.
American cinema is international like the fairy tales were international.
But I think that the spirit of protectionism would be the grave of European cinema. You cannot protect something by building a fence around it and thinking that this will help it survive.
So, if falling crime rates coincide with the rise of violent video games and increasing violence on TV and at the cinema, should we conclude that media violence is causing the drop in crime rates?
I don't want all of American cinema to be big cartoons that are just made to be digested by the entire world.
Cinema is far too rich and capable a medium to be merely left to the storytellers.
I am not someone who sacrifice all for the cinema, my life will be always more important.
Forget the grand plan. Forget the master scheme. Forget control. That is the bleak but true basis of independent cinema. Inch by motherfuking inch we must, because we have no other choice.
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