It is impossible that the intention of the entrepreneur who has borrowed in order to increase investment can become effective (except in substitution for investment by other entrepreneurs which would have occurred otherwise) at a faster rate than the public decide to increase their savings
If one individual, or one class, can call in the aid of authority to ward off the effects of competition, it acquires a privilege and at the cost of the whole community; it can make sure of profits not altogether due to the productive services rendered, but composed in part of an actual tax upon consumers for its private profit' which tax it commonly shares with the authority that thus unjustly lent its support.
The blind spot for the in the Southern Progressive Movement - as for that matter in the national [progressive] movement - was the Negro, for the whole movement in the South coincided paradoxically with the crest of the wave of racism. Still more important to the association of the two movements was the fact that their leaders were often identical. In fact, the typical Progressive reformer rode to power in the South on a disenfranchising or white-supremacy movement.
We just forced them into tough shots that whole overtime. It was a classic five minutes that we needed.
If you really dissect hip-hop you will find a whole lot of Charles Mingus, Ron Carter, Ahmad Jamal, a lot of classic jazz samples in there.
Like Richard Ellmann on James Joyce, Arnold Rampersad on Ralph Ellison is in a class of its own. His masterful and magisterial book is the most powerful and profound treatment of Ellison's undeniable artistic genius, deep personal flaws, and controversial political evolution. And he reveals an Ellison unbeknownst to all of us. From now on, all serious scholarship on Ellison must begin with Rampersad's instant and inimitable classic in literary biography.
Ralph Ellison is a classic work of erudition, grace, and elegance. Rampersad offers us an Ellison whose gifts and warts orbit the same universe of creative genius. Like Ellison's work, Rampersad's text wrestles eloquently with difficult truths about race, politics, and American life.
I am a fan of movies and there is something about watching film that is burned into celluloid for all time that is now a piece of history. You go watch, being a fan of classic films and my children and their children are going to be watching these movies.
I listen to all those kinds of music, from classic soul to hip-hop to Brazilian music to, you know, jazz to indie to alternative... And for me, when I'm making music, it's all in my head, and all those influences in my head. So if something comes to me that's a reference from a different genre then people are used to hearing from me, I'm not afraid to go there with it.
To be appreciated by a whole 'nother generation of fans, all of a sudden discovering you, it's kind of what I did with the classic bands I love - the ones that influenced me.
Everybody thinks that 2-D is Damon, but none of the characters are based on any of us. 2-D is the classic stupid pretty boy singer. He's the fall guy, the stooge. Everyone takes the piss out of him. He had a car accident where he went through the windscreen and ended up with two bumps on his head. It knocked some cool into him
I had to make different kinds of music for everybody but still keep it classic T-Pain at the same time.
I don't like the word ['classic']. It makes you think we didn't do any work.
The classic trap for any revolutionary is always, “What's your alternative?” But even if you could provide the interrogator with a blueprint, this does not mean he would use it: in most cases he is not sincere in wanting to know. In fact this is a common offensive, a technique to reflect revolutionary anger and turn it against itself. Moreover, the oppressed have no job to convince all people. All they need know is that the present system is destroying them.
I believe investors should invest for the long run, so I don't buy and sell. I usually maintain the classic index of global equities, diversified U.S. and global and emerging markets, and when the risk is larger, I diminish the amount in global equities and put more into liquid assets - but very irregularly.
I write early in the morning at the computer, and people think Im crazy, but I still use my Mac-Classic even though we have a state-of-the-art PC. There are just less distractions with the simpler machine.
Classic romantic love is an emotional attraction between two individuals in which they may share a heightened awareness of mutual adoration. Erotic love, traditionally, has been described as shared sexual attraction.
I like the old, classic scary movies. I love 'Psycho,' 'The Sixth Sense,' and 'Poltergeist.'
I feel like I hadn't given that many classic films, like, a really good chance. I watched 'Casablanca' a really long time ago when I was like, 12. I didn't like it that much, and then when I saw it again in class, I loved it.
I hope for so much from every book I read. And time and again, I find myself disappointed. I look across my bookshelves and see hundreds of titles which in my memory seem merely mediocre or second-rate. Only occasionally does a novel appear for which I feel a lasting passion, a book that I think could in time become a classic.
Most dystopian, classic and contemporary, paints a future world that puts a twist on present society - a future world that could plausibly happen.
Do you remember the classic example of chutzpah? It's the young man who kills his parents and then asks the judge for mercy on the grounds that he's an orphan. The Bush administration's updated version of that was starting a wholly illegal, immoral, and devastating war and then dismissing all kinds of criticism of its action on the grounds that 'we're at war.
In a sense, evolution adheres to the classic twelve-step program: it takes things one day at a time. It does not strive for perfection; it does not strive at all. There is no progress, no plans, no scala natura, or scale of nature, that ranks organisms from lowly to superior, primitive to advanced.
Simple. Pared down. Timeless. The ties were never too thick or too thin; the pants were never too flared or too skinny. In my life with Dad, he wore Western apparel because we went riding - jeans, cowboy boots, the turquoise belt buckle. But it was all very simple, and that classic look is very 'Ralph Lauren.'
To me Vivien Leigh was a tragic heroine of classic proportions: chosen, blessed and abandoned by the gods. Obstinately she tried to control and defy her destiny and to know her story is to be inspired by pity and terror.
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