I think the thinking is, in the comic books, I should pack as much onto a page as possible, because, you know, it's kind of the cheaper format, and you want to give readers as much as you can for their dollar.
As an audience member, I live vicariously through the characters I watch or read about. There's something very relatable about comic-book characters. They're never perfect. They're flawed people put in extraordinary circumstances.
My father was sleepless most of his life. So by the age of five, I was awake with him all night long, watching bad television or we'd lie in the same bed, and I'd read my comic books while he read his latest spy or mystery novel.
... Oceanic malaise. I never saw anyone reading anything more demanding than a comic book. I never heard any youth express an interest in science or art. No one even talked politics. It was all idleness, and whenever I asked someone a question, no matter how simple, no matter how well the person spoke English, there was always a long pause before I got a reply, and I found these Pacific pauses maddening. And there was giggling but no humor - no wit. It was just foolery.
I'd love to see a good script of one of my books, in these years of animations and comic book sequels, and had so many written over the years, but none quite clicked.
I read a lot of comic books and any kind of thing I could find. One day, a teacher found me. She grabbed my comic book and tore it up. I was really upset, but then she brought in a pile of books from her own library. That was the best thing that ever happened to me.
Every issue, the characters and I duke it out. They usually win.
Comic book companies are like comic book villains; they keep coming back after they die.
Comics are expensive. Don’t make me resent the money I spend buying yours. Every single moment in your script must either move the story along or demonstrate something important about the characters — preferably both — and every panel that does neither is a sloppy waste of space.
I grew up reading comic books. Super hero comic books, Archie comic books, horror comic books, you name it.
One of the best things that happened for me as a playwright is becoming a comic-book writer.
I mean, of course, I love sci-fi and stuff like that, but I'm not, like, a comic book crazy guy.
We can't really make a living doing comic books, despite the fact that would be an awfully fun way to make a living.
You either ignore the comic book and make a great movie or you stay very close to the comic book.
It was 1978 when Superman came out, and I kept thinking, Why don't they do something about it? They've done all these crappy attempts at comic book film adaptations. What can we do different? Why don't we just re-release this thing?
The beauty of the world of Unbreakable is that you're playing it for reality. It should never feel like a comic book movie. It feels like a straight-up drama. It's real. You're confronting the possibility that comic book characters were based on people that were real.
Most men are secretly still mad at their mothers for throwing away their comic books. They would be valuable now.
Hey, guess who's gay? The Green Lantern from the comic books. Today Mitt Romney knocked him down and shaved his head.
Writing music is sort of my hobby, but it's been falling off more and more. Doing comic books takes up my entire life.
The anomaly is that, as a publishing venture, comics are not doing very well. As a venture that supplies other media, they're incredible.
I was asked in an interview once: You're writing another book with a female lead? Aren't you afraid you're going to be pigeonholed? And I thought, I write a team superhero book, an uplifting solo hero book, I write a horror-western, and I write a ghost story. What am I gonna be pigeonholed as? Has a man in the history of men ever been asked if he was going to be pigeonholed because he wrote two consecutive books with male leads?
Artists are not your art monkeys. They are your collaborators. They should be given all due consideration to follow their journey.
For boys, Wonder Woman is a frightening image. For girls she is a morbid ideal. Where Batman is anti-feminine, the attractive Wonder Woman and her counterparts are definitely anti-masculine.
You can't write something actively trying to please everyone - you're going to end up with watery soup that way. You just have to write stories you would want to read and hope that people like them.
If you just write the kinds of stories you think others will want to read, you'll be competing with cartoonists who are far more enthusiastic for that kind of comic than you are, and they'll kick your ass every time.
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: