Prom has all the elements of a popular story. It reeks of all-Americanness, tension, drama. It has romance. Pretty dresses. Dancing. Limos. High school. Coming of age.
J.R. Angelella is a truly gifted writer. Zombie is one of the smartest, strangest, and most beautifully crafted coming-of-age stories you will ever encounter.
There's also some element of coming of age during the Reagan administration, which everybody has painted as some glorious time in America, but I remember as being a very, very dark time. There was apocalypse in the air; the punk rock movement made sense.
I think we all have a certain number of "coming of age" songs, and then a writer has to expand and grow into more varied and specific themes. And the music industry is, like Jawbreaker says, "selling kids to other kids," so it makes sense that those early songs in a writer's life are often the ones that catch people's ears, and later work is more difficult and less immediate.
I'm sort of coming of age into a different time of acting, and I feel kind of like a kid again. I used to think that I could climb anything, do anything. But I've just been like a skinny white girl my whole life.
Although becoming a singer was my plan A after first hearing Whitney Houston when I was 17, I started off with plan B by going to the teacher-training college that my dad went to. It was a slow coming of age.
[A] new generation, innocent of the divisions of the Cold War, this coming-of-age. ... If its members do not feel the urgency to escape the nuclear danger that some of its parents felt, neither has it developed the deep attachment to nuclear arms also often found among their parents, including most of the governing class. ... The call for abolition should therefore be, among other things, a call from an older generation to younger one.
We are all shaped by where we grow up, though that shaping takes different forms. I dont think theres any doubt that coming of age in Winnipeg both opened my eyes and made me hungry - if I can subvert all claims to be a real writer by mixing metaphors like that.
I definitely think there's a lot of pressure for teenaged girls and guys to hook up on prom. I think it comes with the belief that you have to lose your virginity before you go to college. It's a coming of age thing. I think it's really sad because it has nothing to do with what you want and everything to do with peer pressure. But it comes with the territory of prom. Thankfully more and more kids are knowing their limits, and I think we're raising kids to be really good people, and they're realizing that they don't need to do it just because.
What I like about narrative in general is when there is some incongruity between the form and content. Let's say, mixing up the gothic with a coming-of-age narrative. Telling a love story that's also a monster story. Mixing up superhero tropes with your monster tropes. I like category confusion.
A magical blending of mystery, romance, and deep and dangerous secrets. Kelly Parra’s Invisible Touch is an action-packed coming-of-age novel, sure to keep readers turning pages and begging for a sequel.
I filmed 'Albatross' before I got 'Downton.' It's a coming-of-age movie about this girl who leaps into this family's life, like a whirlwind. She's ballsy and brash and wonderful, it was such an amazing character to play.
A lot of college graduates approach me about becoming screenwriters. I tell them, 'Do not become a screenwriter, become a journalist,' because journalists go into worlds that are not their own. Kids who go to Hollywood write coming-of-age stories for their first scripts, about what happened to them when they were sixteen. Then they write the summer camp script. At the age of twenty-three they haven't produced anything, and that's the end of the career.
Sloppy Firsts perfectly captures the turbulent roller-coaster ride that is being a teenager. This is an (at times) intimate, painfully honest peek at a girl's coming of age. Getting to know Jessica was like meeting a new best friend. I miss her already.
By the time [of modern] generation was coming of age sexually, there was already this idea of safe sex. But that didn't exist for me. I came out of the free-swinging '60s and '70s. It was free love, baby. That was it. We had very liberal sex-ed classes in 1973, a yearlong environmental science class, and then Women's Lib and Gay Liberation. So it's insane to go from that to Reagan and AIDS. It was like, "What happened? Where's my future?"
I did a film when I was about 30; it's a coming of age story called 'Gas Food Lodging,' and I'm so proud of that little independent film. I play this young English geologist, and he's such a simple, loving kind of guy. Doesn't talk too much. He's just a quiet guy, and he gets the girl.
Most of us don't have mothers who blazed a trail for us--at least, not all the way. Coming of age before or during the inception of the women's movement, whether as working parents or homemakers, whether married or divorced, our mothers faced conundrums--what should they be? how should they act?--that became our uncertainties.
I love so many different genres. I love crime films - and unusual coming-of-age pieces.
In a way I think why the Ghost story is very relatable to a large audience is that it's kind of a coming of age story and it's a realisation of 'I am what I am - what has happened to me, good or bad, that is the sum of who I am now'.
we all grow up thinking our parents found us under cabbage leaves and that sex didn't exist before our personal coming-of-age.
Director Park always talked to me about her in a very innocent way, that the story was of her coming of age and her sexual awakening and her going from girl to woman and that she had the same desires and hopes as other young people in terms of being very infatuated, which comes in the form of her uncle, which is very unconventional.
The people in Coming of Age were far less curmudgeonly than you would think. The greater percentage said that without the young we'd be lost. One woman, a former Southern belle, now 87, a philanthropist, says, "Well, these young, their history's been stolen from them. And what have we done to make them respect us?"
I enjoy films where two characters are coming of age, just different ages. That's why I love 'Paper Moon' so much.
Mr. Robinson and Mr. Kovite have...written a captivating coming-of-age novel that is, by turns, funny and sad and elegiac -\-\ a novel that leaves us with some revealing snapshots of America, both at war and in denial, and some telling portraits of a couple of millennials trying to grope their way toward adulthood.
I was born in Darien, Connecticut, but in 1959, when I was four, my parents moved to the suburbs of Toronto. Then, in the late 1960s, they bought a cottage in a resort/trailer park in the Kawarthas region of Ontario, and we moved up there. I wrote a book about it in 2000 called 'Last Resort: Coming of Age in Cottage Country.
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