Composition Quotes - Page 15

• Whatever the composition of a firm, if it is to do good business it should be a place where everyone is encouraged to progress toward complexity- or at the very least a place that does not make it more difficult to achieve personal growth.

  Mihaly Csikszentmihalyi

  Growth, Progress, Doe

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• Then you learn about composition, you learn about old masters, you form certain ideas about structure. But the inhuman activity of trying to make some kind of jump or leap, where , the painting is always saying, 'What do you want from me? I can only be a painting.' You have to go from part to part, but you shouldn't see yourself go from part to part, that's the whole point.

  Philip Guston

  Education, Ideas, Trying

  "Transcript of a public forum at Boston university', conducted by Joseph Ablow 1966". "Abstract Expressionism Creators and Critics" by Clifford Ross, pp. 68/69, 1990.

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• Painting is always strongest when in spite of composition, color, etc., it appears as a fact, or an inevitability, as opposed to a souvenir or arrangement.

  Robert Rauschenberg

  Strength, Color, Etc

  Robert Rauschenberg, Amsterdam (Netherlands). Stedelijk Museum, Kölnischer Kunstverein, Musée d'art moderne de la ville de Paris (1968). “Robert Rauschenberg”

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• Majorities are of two sorts: (1) communal majority and (2) political majority. A political majority is changeable in its class composition. A political majority grows. A communal majority is born. The admission to a political majority is open. The door to a communal majority is closed. The politics of political majority are free to all to make and unmake. The politics of communal majority are made by its own members born in it.

  B. R. Ambedkar

  Communication, Doors, Class

  "Political Science for Civil Services Main Examination". Book by N.D. Arora, 2010.

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• The artist reserves the right to remove a blot on the landscape, to change positions of things, to suit his composition, providing only that he does not transgress the laws of probability.

  Walter J. Phillips

  Artist, Law, Doe

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• In large studio paintings... composition, or arrangement, may be better studied, and nearer perfection, washes may be more suavely graded.

  Walter J. Phillips

  Perfection, May, Painting

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• Do not be afraid that too much labour over the composition is going to kill the spontaneity. Those who absorb and digest their experiences are, of a sudden, mountains of strength and can produce pictures with spontaneous start and finish.

  John F. Carlson

  Mountain, Too Much, Spontaneity

  John F. Carlson (2013). “Carlson's Guide to Landscape Painting”, p.131, Courier Corporation

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• Start with the foreground. Compositions fail when the foreground is treated as an afterthought.

  Robert Genn

  Failing, Treated, Foreground

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• I am hoping that, with the added wisdom of old age, I can still look ahead for an improvement in tone, line, colour and composition.

  E. J. Hughes

  Age, Looks, Lines

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• I was doing something that the officials or art commission probably didn't consider important... I was experimenting with different kinds of realistic art, impressionism and the more decorative compositions of different forms of painting, which took away from the earlier photographic realism that I was doing.

  E. J. Hughes

  Art, Important, Different

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• When I see these primitive effects coming into my pictures subconsciously, even though the perspective may be slightly out, I leave them in if it helps the general composition.

  E. J. Hughes

  Perspective, May, Helping

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• I am excessively slothful, and wonderfully industrious-by fits. There are epochs when any kind of mental exercise is torture, and when nothing yields me pleasure but the solitary communion with the 'mountains & the woods'-the 'altars' of Byron. I have thus rambled and dreamed away whole months, and awake, at last, to a sort of mania for composition. Then I scribble all day, and read all night, so long as the disease endures.

  Edgar Allan Poe

  Depression, Exercise, Night

  Edgar Allan Poe (2006). “The Portable Edgar Allan Poe”, p.488, Penguin

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• I started when I was nine. Really, everything I know about color theory, composition, drawing, and painting, I learned when I was a kid.

  David Salle

  Kids, Color, Drawing

  Source: www.interviewmagazine.com

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• My aging body transmits an ageless life stream. Molecular and atomic replacement change life's composition. Molecules take part in structure and in training, countless trillions of them. After my death, the molecules of my being will return to the earth and sky. They came from the stars. I am of the stars.

  Charles Lindbergh

  Stars, Life Changing, Sky

  Charles A. Lindbergh (1978). “Autobiography of Values”, Harcourt

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• Writing is a long and lonesome business; back of the problems in thought and composition hover always the awful questions: Is this the page that shows the empty shell? Is it here and now that they find me out?

  John Kenneth Galbraith

  Writing, Long, Shells

  JOHN KENNETH GALBRAITH (1962). “THE GREAT CRASH 1929”

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• Any woman may act the part of a coquette successfully who has the reputation without the scruples of modesty. If a woman passes the bounds of propriety for our sakes, and throws herself unblushingly at our heads, we conclude it is either from a sudden and violent liking, or from extraordinary merit on our parts, either of which is enough to turn any man's head who has a single spark of gallantry or vanity in his composition.

  William Hazlitt

  Women, Vanity, Coquette

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• For it is a plain fact that, most certainly in the West, the writings, works of art, musical compositions which are of central reference, comport that which is "grave and constant" (Joyce's epithets) in the mystery of our condition.

  George Steiner

  Art, Writing, Musical

  George Steiner (1991). “Real Presences”, p.224, University of Chicago Press

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• I could easily fill up each week with going to see debuts of friends' compositions alone. When you add in all of the bands I'm interested in catching and all of the improvisers that I still love, it gets almost impossibly daunting. I try to do as much as I can.

  David First

  Trying, Add, Band

  "The Only Late is Never". Interview with Marc Masters, Grayson Currin, pitchfork.com. November 12, 2010.

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• It depends on the state itself to retain or abolish the principle of representation, because it depends on itself whether it will continue a member of the Union. To deny this right would be inconsistent with the principle on which all our political systems are founded, which is, that the people have in all cases, a right to determine how they will be governed. This right must be considered as an ingredient in the original composition of the general government, which, though not expressed, was mutually understood. . .

  William Rawle

  Government, People, Political

  William Rawle (1829). “A view of the Constitution of the United States of America”, p.296

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• The Plagiarism of orators is the art, or an ingenious and easy mode, which some adroitly employ to change, or disguise, all sorts of speeches of their own composition, or that of other authors, for their pleasure, or their utility; in such a manner that it becomes impossible even for the author himself to recognise his own work, his own genius, and his own style, so skilfully shall the whole be disguised.

  Isaac D'Israeli

  Art, Style, Genius

  "Hoyt's New Cyclopedia Of Practical Quotations" by Jehiel Keeler Hoyt, p. 598-600, Curiosities of Literature, Professors of Plagiarism and Obscurity, 1922.

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• The Rhapsody is not a composition at all. It's a string of separate paragraphs stuck together - with a thin paste of flour and water... I don't think there has been such an inspired melodist on this earth since Tchaikovsky... but if you want to speak of a composer, that's another matter.

  Leonard Bernstein

  Thinking, Tchaikovsky, Water

  "Why Don't You Run Upstairs and Write a Nice Gershwin Tune?". The Atlantic Monthly, April 1955.

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• A great composition to me is.. an incarnation of a genius, of all that was ever in him of the slightest consequence.

  Neville Cardus

  Genius, Incarnation, Consequence

  "Ten Composers". Book by Neville Cardus, August 1944.

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• One composition is meagre, though it has many figures; another is rich, though it has few.

  Denis Diderot

  Rich, Figures

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• Cinematography was incredibly foreign to me, so I read as much as I could about it. Once I figured out that it was just photography with a set shutter speed, I got some slide film and I just went about storyboarding the script and taking snapshots. I took a ton of time doing it just to make sure I knew exactly what I was doing. By the end of it I knew what the film was going to look like - my exposure and the composition and everything. I wasn't scared of cinematography anymore.

  Shane Carruth

  Photography, Looks, Snapshots

  Source: www.indiewire.com

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• The vices enter into the composition of the virtues, as poisons into that of medicines. Prudence collects and arranges them, and uses them beneficially against the ills of life.

  Francois de La Rochefoucauld

  Medicine, Vices, Poison

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