Contemporary architects tend to impose modernity on something. There is a certain concern for history but it’s not very deep. I understand that time has changed, we have evolved. But I don’t want to forget the beginning. A lasting architecture has to have roots.
It's so funny being a Christian musician. It always scares me when people think so highly of Christian music, Contemporary Christian music especially. Because I kinda go, I know a lot of us, and we don't know jack about anything. Not that I don't want you to buy our records and come to our concerts. I sure do. But you should come for entertainment. If you really want spiritual nourishment, you should go to church... you should read the Scriptures.
Beyond a narrow, elite audience, there is a pervasive sense from the side of the public that much contemporary art fails to connect - a failure not evident throughout centuries of earlier art.
I would say that most of my books are contemporary realistic fiction... a couple, maybe three, fall into the 'historic fiction' category. Science fiction is not a favorite genre of mine, though I have greatly enjoyed some of the work of Ursula LeGuin. I haven't read much science fiction so I don't know other sci-fi authors.
My parents met in music school and my father was a music professor and conductor. Growing up, we always had classical and contemporary music playing. There was a lot of Mozart and the Beatles.
This desire to fashion, to shape, a self and a life has all but gone from a contemporary culture whose emphasis, paradoxically enough, is so much on self.
If I had to design a mechanism for the express purpose of destroying a child's natural curiosity and love of pattern-making, I couldn't possibly do as good a job as is currently being done-I simply wouldn't have the imagination to come up with the kind of senseless, soul-crushing ideas that constitute contemporary mathematics education.
While I know that the beautiful, the spiritual and the sublime are suspect today, I have begun to stop resisting the constant urge to deny that beauty has a valid right to exist in contemporary art.
Contemporary art will help me to modernise our society.
I hope I'm not implying role of contemporary poet for myself, although there's a kind of resonant paradigm. It's traditionally a difficult role.
Brings [O'Brian's] achievement to a new height....Such is O'Brian's power to possess the imagination that I found I was living in his world as much as my own, wanting to know what happens next. That is the real test. Any contemporary novelist should recognize in Patrick O'Brian a Master of the Art.
He had a stellar talent. I not only lost a contemporary in the death of Robert E. Howard. The world lost a writer of extraordinary gifts.
Prose of the World is an enormously compelling and vivid study. The result is an ambitious, timely, and eloquent account of the relationship between early-twentieth-century fiction and the contemporary global novel in English.
Our world, so we see and hear on all sides, is drowning in materialism, commercialism, consumerism. But the problem is not really there. What we ordinarily speak of as materialism is a result, not a cause. The root of materialism is a poverty of ideas about the inner and the outer world. Less and less does our contemporary culture have, or even seek, commerce with great ideas, and it is that lack that is weakening the human spirit. This is the essence of materialism. Materialism is a disease of the mind starved for ideas.
Poetry restores language by breaking it, and I think that much contemporary writing restores fantasy, as a genre of writing in contrast to a genre of commodity or a section in a bookstore, by breaking it. Michael Moorcock revived fantasy by prying it loose from morality; writers like Jeff VanderMeer, Stepan Chapman, Lucius Shepard, Jeffrey Ford, Nathan Ballingrud are doing the same by prying fantasy away from pedestrian writing, with more vibrant and daring styles, more reflective thinking, and a more widely broadcast spectrum of themes.
American Morons is the work of an original. Like Hitchcock or Ramsey Campbell, the style is precise, alert, and well-mannered, inviting us to enter Hirshberg's private world so that he may lock the door behind us. If there is anyone in contemporary fiction worth watching, it is Glen Hirshberg.
'Above The Thunder' is passionate, wise, and piercingly beautiful. Readers drawn to books with rich, memorable characters and contemporary stories will find this remarkable debut novel not only irresistible but impossible to put down.
Audrey Auld is a great singer songwriter. She holds a unique place in contemporary Americana/Roots music. I believe that this uniqueness is largely due to the fact that she is Australian. This affords her a totally different attitude as an artist than traditional American contributors to this genre. Audrey is one of the most honest original artists I know.
To Forget Venice is a tour de force of ventriloquism. Elegant, contemporary, and wry, the voice at its center is also capable of disarming flights of imagination as it enters and inhabits other lives across time and gender. The glittering, fetid city emerges as a complex metaphor for the human heart’s simultaneous tenderness and capacity for cruelty, its ‘silver glow / a local specialty: filth / disguised as ornament.’ This Venice is unforgettable.
There is hardly an aspect of contemporary history more irritating and mystifying than the fact that of all the great unsolved political questions of our century, it should have been this seemingly small and unimportant Jewish problem that had the dubious honor of setting the whole infernal machine in motion.
History is contemporary. Your understanding of history confirms what you think of the present. It's not neutral. I would be very surprised if people with a different view of the present, don't take issue with my view of the past. I just hope that people deal with the content of the film.
All our contemporary philosophers perhaps without knowing it are looking through eyeglasses that Baruch Spinoza polished. Spinoza was a philosopher who earned his livelihood by grinding lenses.
The grand delusion of contemporary liberals is that they have both the right and the ability to move their fellow creatures around like blocks of wood - and that the end results will be no different than if people had voluntarily chosen the same action
One of his officers, Henry Lee, summed up contemporary public opinion of Washington: First in war, first in peace, and first in the hearts of his countrymen.
All art is contemporary, if it's alive, and if it's not alive, what's the point of it?
Follow AzQuotes on Facebook, Twitter and Google+. Every day we present the best quotes! Improve yourself, find your inspiration, share with friends
or simply: