Corners Quotes - Page 20

• A woman shaking in fear from demons in her mind, and the old man who loves her more deeply than life itself, crying softly in the corner, his face in his hands.

  Nicholas Sparks

  Men, Hands, Mind

  Nicholas Sparks (2011). “The Notebook”, p.117, Hachette UK

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• I don't believe in prom,' I reminded her as she rounded a corner. I expertly angled my raisin bran to accomodate the g-forces. I'd done this before.

  John Green

  Believe, Done, Prom

  John Green (2013). “Paper Towns”, p.11, A&C Black

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• A weak man in a corner is more dangerous than a strong man.

  Agatha Christie

  Strong, Men, Weak Man

  "The Under Dog: And Other Stories".

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• Rand rubbed his hands over his face. His anger had dissipated. “I’m sorry, Yelena. I was backed into a corner and I couldn’t get out without hurting someone.

  Maria V. Snyder

  Hurt, Sorry, Hands

  Maria V. Snyder (2012). “Poison Study”, p.210, Harlequin

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• A man does not need to be a wizard to know truth from falsehood, not if he has eyes. You need only learn to read a face. Look at the eyes. The mouth. The muscles here, at the corners of the jaw, and here, where the neck joins the shoulders.

  George R. R. Martin

  Eye, Men, Doe

  George R. R. Martin (2012). “George R. R. Martin's A Game of Thrones 5-Book Boxed Set (Song of Ice and Fire Series): A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, and and A Dance with Dragons”, p.2709, Bantam

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• It is absolutely necessary, for the peace and safety of mankind, that some of earth's dark, dead corners and unplumbed depths be left alone; lest sleeping abnormalities wake to resurgent life, and blasphemously surviving nightmares squirm and splash out of their black lairs to newer and wider conquests.

  H. P. Lovecraft

  Sleep, Dark, Safety

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• Look, I know what you're thinking. You're thinking I said no because the whole thing would just be too Dirty Dancing , right? Summer fling at the resort, only with the roles reversed: you know, the poor working girl and the rich doctor's son, nobody puts Baby in the corner, blah blah blah. That kind of thing.

  Meg Cabot

  Summer, Girl, Baby

  Meg Cabot (2009). “Young Blood”, p.26, Pan Macmillan

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• The city, however, does not tell its past, but contains it like the lines of a hand, written in the corners of the streets, the gratings of the windows, the banisters of the steps, the antennae of the lightning rods, the poles of the flags, every segment marked in turn with scratches, indentations, scrolls.

  Italo Calvino

  Past, Hands, Cities

  Italo Calvino (2013). “Invisible Cities”, p.19, Houghton Mifflin Harcourt

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• I am like a huge rough stone...and the only polishing I get is when some corner gets rubbed off by coming in contact with something else, striking with accelerated force...thus I will become a smooth and polished shaft in the quiver of the Almightly.

  Joseph Smith, Jr.

  Stones, Smooth, Quiver

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• Marylou was watching Dean as she had watched him clear across the country and back, out of the corner of her eye--with a sullen, sad air, as though she wanted to cut off his head and hide it in her closet, an envious and rueful love of him so amazingly himself, all raging and sniffy and crazy-wayed, a smile of tender dotage but also sinister envy that frightened me about her, a love she knew would never bear fruit because when she looked at his hangjawed bony face with its male self-containment and absentmindedness she knew he was too mad.

  Jack Kerouac

  Country, Crazy, Eye

  Jack Kerouac (1957). “On the Road”, Viking Press

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• My mockingjay pin now lives with Cinna's outfit, but there's the gold locket and the silver parachute with the spile and Peeta's pearl. I knot the pearl into the corner of the parachute, bury it deep in the recesses of the bag, as if it's Peeta's life and no one can take it away as long as I guard it.

  Suzanne Collins

  Long, Gold, Bags

  Suzanne Collins (2010). “Mockingjay (The Hunger Games, Book 3)”, p.146, Scholastic Inc.

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• Teddy, Vern, Chris: I don't shut up. I grow up. And when I look at you, I throw up. Aghhh! Gordie: And then your mom goes around the corner and she licks it up.

  Stephen King

  Mom, Growing Up, Stand By Me

  "Stand by Me". www.imdb.com. 1986.

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• I suffer for birds and fireflies but not frogs, she said, and threw him across the room. Kaboom! Like a genie out of a samovar, a handsome prince arose in the corner of the bedroom.

  Anne Sexton

  Firefly, Bird, Suffering

  Anne Sexton, Diane Wood Middlebrook, Diana Hume George (2000). “Selected Poems of Anne Sexton”, p.168, Houghton Mifflin Harcourt

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• But...books are so much more. Some of them are webs; you can feel your way along their threads, but just barely, into strange and dark corners. Some of them are balloons bobbing up through the sky: totally self-contained, and unreachable, but beautiful to watch. And some of them―the best ones―are doors.

  Lauren Oliver

  Beautiful, Book, Dark

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• Once apon a time, Ian's dark, dreamy eyes had made her melt inside. The angle of his head, the wrinkle in the left corner of his lip—they'd obsessed her. And he'd been obsessed right back. Now all Amy wanted to do was throw her shoe at the screen.

  Peter Lerangis

  Eye, Dark, Wrinkles

  Peter Lerangis (2012). “The 39 Clues: Cahills vs. Vespers Book 3: The Dead of Night”, p.14, Scholastic Inc.

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• Christopher Robin was home by this time, because it was the afternoon, and he was so glad to see them that they stayed there until very nearly tea-time, and then they had a Very Nearly tea, which is one you forget about afterwards, and hurried on to Pooh Corner, so as to see Eeyore before it was too late to have a Proper Tea with Owl.

  A. A. Milne

  Home, Owl, Tea

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• What will die with me the day I die? What pathetic or frail image will be lost to the world? The voice of Macedonio Fernandez, the image of a bay horse in a vacant lot on the corner of Sarrano and Charcas, a bar of sulfur in the drawer of a mahogany desk?

  Jorge Luis Borges

  Horse, Voice, Bars

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• This is where the story starts, in this threadbare room. The walls are exploding. The windows have turned into telescopes. Moon and stars are magnified in this room. The sun hangs over the mantelpiece. I stretch out my hand and reach the corners of the world. The world is bundled up in this room. Beyond the door, where the river is, where the roads are, we shall be. We can take the world with us when we go and sling the sun under your arm. Hurry now, it's getting late. I don't know if this is a happy ending but here we are let loose in open fields.

  Jeanette Winterson

  Stars, Wall, Moon

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• Vikus looked at Luxa and opened his arms. She stood, still frozen, staring at him as if he were a complete stranger. "Luxa, it's your grandpa," said Gregor. It seemed like the best and most important thing to say at the moment. "It's your grandpa." Luxa blinked. A tiny tear formed at the corner of her eye. A battle took place on her face as she tried to stop the feelings rising up inside her. The feelings won, and to Gregor's great relief, she ran into Vikus's arms.

  Suzanne Collins

  Eye, Rising Up, Grandpa

  Suzanne Collins (2011). “Gregor the Overlander Collection:”, p.170, Scholastic Inc.

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• Is this how you repay my goodness--with badness?” cried the boy. “Of course,” said the crocodile out of the corner of his mouth. “That is the way of the world.

  Alex Haley

  Boys, World, Mouths

  Alex Haley (2016). “Roots: The Saga of an American Family”, p.11, Da Capo Press

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• Miss Lynn came around the corner of the row of lockers,glaring daggers. No, daggers would be too delicate a weapon for her.Glaring sledgehammers was probably more appropriate.

  Kiersten White

  Missing, Would Be, Daggers

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• [Qhuinn looking a Blay] A tear escaped from that eye . Welling up along the lower lid, it coalesced at the far corner, formed a crystal circle, and grew so fat it couldn’t hold on to the lashes. Slipping free, it meandered downward, getting lost in dark hair at the temple.

  J.R. Ward

  Eye, Dark, Hair

  J.R. Ward (2012). “Lover Reborn: A Novel of the Black Dagger Brotherhood”, p.377, Penguin

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• As the carriage whipped forward, they passed the alley she had spent so many days staring at—it was there, and then gone as they careened around a corner, nearly knocking over a costermonger pushing a donkey cart piled high with new potatoes. Tessa screamed. Will reached past her and yanked the curtain shut. "It's better if you don't look," he told her pleasantly. "He's going to kill someone. Or get us killed." "No, he won't. Thomas is an excellent driver." Tessa glared at him. "Clearly the word excellent means something else on this side of the Atlantic.

  Cassandra Clare

  Mean, Past, Looks

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• Simon had drawn three pictures. In the top left corner, like a salutation, was a ghost. The middle had a big sketch of Arnold Schwarzenegger as the Terminator. The third in place of a signature, was a lightning bolt surrounded by fog. Beside the drawing, someone had scrawled in inch-high letters 10 A.M. Tori snatched it from me and turned it over. "So where's the message?" "Right there." I pointed from picture to picture. "It says: Chloe, I'll be back, Simon.

  Kelley Armstrong

  Fog, Drawing, Signatures

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• A corner is important. It provides privacy and an anchor and lets you exist independently of the room.

  Roger Ebert

  Anchors, Important, Rooms

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