The only craft and technique you have legitimate access to is the craft and technique you forgot, that has dissolved itself into the unconscious... Because you have learned it so well you have forgotten it.
With a lot of what we take to be true feelings, especially on pop records, we feel them because they're cleverly crafted. And because the words are written by somebody who knows how to craft words and draw on those things and convey those feelings. That doesn't mean they're dishonest. But it also doesn't mean that it's all just pure primitive emotion spilling out.
To be an artist you have to be as much a businessman to succeed, you have to spend an equal amount of time doing business as you spend doing your craft.
My main goal as an actor, with my craft or whatever poncy way you want to say it, is to always take the audience with me. To make them feel for me, or to make them hate me, I want a reaction. I want their emotions. The worst reaction someone can have is, "eh."
On the whole, however, the conclusions I have drawn from the proofs quoted may, I believe, safely be relied on. Assuredly they will not be disturbed either by the lays of a poet displaying the exaggeration of his craft, or by the compositions of the chroniclers that are attractive at truth's expense; the subjects they treat of being out of the reach of evidence, and time having robbed most of them of historical value by enthroning them in the region of legend.
Writers need to learn their trade, and how to negotiate the increasingly difficult marketplace. The trade can be taught and learned just as the craft can. But a workshop where the trade is the principal focus of interest is not a writing workshop. It is a business class.
Craft is a trick you make up to let you write the poem.
I love stories, but writing fiction is another craft and I don't feel as if I have it.
To say that an author is a reader or a reader an author, to see a book as a human being or a human being a book, to describe the world as text or a text as the world, are ways of naming the readers craft.
Most writers who are beginners, if they are honest with themselves, will admit that they are praying for a readership as they begin to write. But it should be the quality of the craft, not the audience, that should be the greatest motivating factor.
I don't assume, because I can write screenplays, that I know how to write a novel. It's a very different world. There's a craft involved in storytelling, and it's a different kind of craft. But yes, someday I will do that. It just might be awhile.
Ah me! what wonder-working, occult science Can from the ashes in our hearts once more The rose of youth restore? What craft of alchemy can bid defiance To time and change, and for a single hour Renew this phantom-flower?
If you can engage the influencer’s passions, and work with them to craft a compelling logical appeal, then you can leverage the credibility of the influencer to actually sway hearts and minds.
I actually think that craft service was the reason I got into acting: the free food. I literally remember on my first job being like, "Yes! I get to have craft service every day!"
Merely knowing your craft will never be enough to make a picture. If you ever amount to anything at all, it will be because you were true to that deep desire or ideal which made you seek artistic expression in pictures.
I never really thought about acting as a child. It wasn't like, "This is the career that I want to pursue." So when I first started acting, I was more concerned with just being on a set and all of the woes of that, and I didn't really know it or understand it as a craft yet.
Diplomacy, of course, is a subtle and nuanced craft, so much so that it's said that when the most wily diplomat of the nineteenth-century passed away, other diplomats asked, on reports of his death, "What do you suppose the old fox meant by that?
on Broadway money rules. Like a host of vultures, the ticket brokers, the speculators, the craft unions, the agents, the backers, the real estate owners move in on the creative body and take their bite. The world of dreams breathes in an iron lung; and without this mechanical pumping it dies.
Sure there's a difference with puppet-craft - who cares? I don't care about the puppet-craft, I care about what works. Who cares about the puppet and craft? It's not about that. It's about compelling an audience, and touching an audience in some way.
In A Life In Books, author and graphic design visionary Warren Lehrer crafts a vivid kaleidoscopic odyssey that frames one man’s life through not one, but one hundred different books—and book jackets... An unmistakably modern evocation of the illuminated manuscript.
Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.
Do not fall into the error of the artist who boasts of twenty years experience in his craft while in fact he has had only one year of experience - twenty times.
There is no small degree of malicious craft in fixing upon a season to give a mark of enmity and ill-will: a word--a look, which at one time would make no impression, at another time wounds the heart, and, like a shaft flying with the wind, pierces deep, which, with its own natural force, would scarce have reached the object aimed at.
I'm really very concerned with helping to create an attitude of freedom and daring toward the craft of photography.
Big Idea - Your days are your life in miniature. As you live your hours, so you create your years. As you live your days, so you craft your life. What you do today is actually creating your future. The words you speak, the thoughts you think, the food you eat and the actions you take are defining your destiny - shaping who you are becoming and what your life will stand for. Small choices lead to giant consequences over time. There's no such thing as an unimportant day.
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