Art itself cannot be taught, but craftsmanship can. Architects, painters, sculptors are all craftsmen in the original sense of the word. Thus it is a fundamental requirement of all artistic creativity that every student undergo a thorough training in the workshops of all branches of the crafts.
The fact is that the creative person is a disciplined craftsman whose 'gift' is a reaching out toward his most profound personal potential.
There's been this steady metamorphosis from just surviving to being a craftsman and, ultimately, the hope is to be an artist in what you do.?
When you see somebody actually be able to channel that into an accessible, beautiful tool, you start to see the craftsman behind it.
My verse has brought me no roubles to spare: no craftsmen have made mahogany chairs for my house.
Art begins when an observer's sensibilities engage with the understatements of a calculating craftsman.
There are no bigger donkeys than these workers.... Look at our 'craftsmen'; Sad that world history should be be made with such people.
There's an old saying,'It's a poor craftsman who blames his tools.' It's usually the player who misses those three-footers, not the putter.
No. Not yet. A craftsman only. But I dream to be an artist. I pray that someday, if I work with enough care, if I am very very lucky, I will make a weapon that is a work of art. Call me an artist then, and I will answer.
To say that you can 'have experience,' means, for one thing, that your past plays into and affects your present, and that it defines your capacity for future experience. As a social scientist, you have to control this rather elaborate interplay, to capture what you experience and sort it out; only in this way can you hope to use it to guide and test your reflection, and in the process shape yourself as an intellectual craftsman
The division between the useful arts and the fine arts must not be understood in too absolute a manner. In the humblest work of the craftsmen, if art is there, there is a concern for beauty, through a kind of indirect repercussion that the requirements of the creativity of the spirit exercise upon the production of an object to serve human needs.
The skills of the modern artist are the opposite of those of the craftsman: instead of acquiring techniques for producing classes of objects, the artist today perfects the means suited to his particular work.
I grew up in a craftsman's home, where things were done with our own hands. I did cabinetmaking for four years and I hated it.
I'm an artist, a designer, a craftsman, interior designer, half-architect. There's no one name that fits me very well.
If you're really a good writer and deserve that honored position, then by God, you'll write, and you'll be read, and you'll be produced somehow. It just works that way. If you're just a simple ordinary day-to-day craftsman, no different than most, then the likelihood is that you probably won't make it in writing.
All craftsmen share a knowledge. They have heldReality down fluttering to a bench.
I am not an artist and never have been. Rather I am like a craftsman and feel very close to the mediaeval artisans who produced their work anonymously and who, along with their apprentices, had a true feeling for the physical materials they were working with.
Artists should imprint their handwriting on the work, because if they give a piece to a fabrication studio, the craftsmen there may actually be too perfect; you don't see the quirks that the artist would have developed.
A craftsman pulled a reed from the reedbed, cut holes in it, and called it a human being. Since then, it's been wailing a tender agony of parting, never mentioning the skill that gave it life as a flute
Look, Matisse I ain't. You know how they have on the invitations, a reception for the artist will be held at... And I say, Look, you gotta change this. I'm not an artist. I'm a photographer, a skilled craftsman.
Most works of art are effectively treated as commodities and most artists, even when they justly claim quite other intentions, areeffectively treated as a category of independent craftsmen or skilled workers producing a certain kind of marginal commodity.
That's the real endeavor: to try to create that direct conduit from the pure consciousness of your creative voice to the person who's a craftsman who can go into the world and consistently deliver new things worth paying attention to.
I don't consider myself an artist necessarily, but craftsmen or people in the arts, their spiritualism is sort of when you're writing well or performing well or doing whatever you do well, there's an element of that that's either God-given, a talent that you're not necessarily responsible for.
I consider myself more a craftsman than an artist.
I think writers can get a little melodramatic sometimes about their work, and it helps me not to do that, to just say, "Well, this is how I make a living, and I need to become a very good craftsman."
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