I always thought that it was every performer's dream. That's the epitome of being an artist, being able to express song, dance and acting in a live theatre setting and really connecting with an audience on that level.
If you can't be a good example, you'll just have to be a horrible warning." -Gwen Goodnight
And she is going to dance, dance hungry, dance full, dance each cold astonishing moment, now when she is young and again when she is old.
Life is what you make it. Always has been, always will be.
Every tree and plant in the medouw seemed to be dancing, those with average eyes would see as fixed and still.
Aren't all ballets sexy? I think they should be. I can think of nothing more kinky than a prince chasing a swan around all night.
If you don't do your dance, who will?
If I could explain, I wouldn't need to dance!
They're not particular whether you're playing a flat 5th or a ruptured 129th as long as they can dance.
One's concentration as a performer must remain centered on the action of which one is a part. For it is in truth only one's own concentration on the imagined reality of the role that can force the audience's attention to that same place.
There comes a moment in a young artist's life when he knows he has to bring something to the stage from within himself. He has to put in something in order to be able to take something.
It is a temptation to exploit one's technique because an audience is easily reached this way, but they cannot be moved by technique alone and to move an audience is the role of dance as an art.
The Dancer believes that his art has something to say which cannot be expressed in words or in any other way than by dancing... there are times when the simple dignity of movement can fulfill the function of a volume of words. There are movements which impinge upon the nerves with a strength that is incomparable, for movement has power to stir the senses and emotions, unique in itself. This is the dancer's justification for being, and his reason for searching further for deeper aspects of his art.
As long as you're dancing, you can break the rules.
Dance has been my medium, my metaphor, my message and my meditation.
If that's all there is, my friends, then let's keep dancing.
Dance on the edge of mystery.
Dance where you can break yourself up to pieces and totally abandon your worldly passions.
Dancing is the body made poetic.
I'm going to do 'The Social Network Two: The Electric Boogaloo.' And I have a part in 'Beige Swan.' I'm going to be the lead, but I don't dance. I just do a lot of sitting down. It's too tiring to get up and dance around. That should be coming out in 20-never.
I'm so happy to be able to give kids the opportunity to learn about amazing world of dance and music that I've have been lucky enough to make such a big part of my own life.
People who don't have gender dysphoria aren't going to catch it by watching me dance on television.
When I play it I look out and see people hold on to each other and dance or just couples leaning into each other and kiss. And I'll go: 'You know, I could have worked hard at school and been a dentist. But I'm so glad I didn't.' Because when I look out and see that I feel like the Pied Piper of love.
I have two favorite songs. My first is called 'Dance of The Robe' and it's a very powerful number where she is feeling the pressure from her people to take on the responsibility of leading them.
I think differently, I think it's about reaching everybody on every different plane and every different level, and if I could remix the song and do a dance remix, that's great. If I could do a classical version, that'll be great too. It's all just about expression.
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