It is one thing to do your dance on a beach and quite another to collaborate intimately with the sand.
I wanted to invent some kind of American dance that was danced to the music that I grew up on: Cole Porter and Rodgers and Hart and Irving Berlin. So I evolved a style that certainly didn't catch on right away - but I had some good mentors in New York who encouraged me.
When Ginger Rogers danced with Astaire, it was the only time in the movies when you looked at the man, not the woman.
Ballet dancers are a self-chosen elite. To survive and surmount years of disciplinary preparation and seasons of even more arduous performance requires rigid determination and almost mindless self-abnegation. One other factor is difficult to predetermine: without a certain admixture of hysteria - sometimes masking as self-obsession, sometimes even counterfeiting incipient madness - performers, at once acrobats, artists, and animals, make little public impression.
Dance design is not simply one element; it is that without which ballet cannot exist. As aria is to opera, words to poetry, color to painting, so sequence in steps - their syntax, idiom, vocabulary - are the stuff of stage dancing.
A dance performance is rather like going out into a battlefield. You have to hold the attention of as many as five to 10,000 people a lot of whom do not follow your language.
Scientists are complaining that the new dinosaur movie shows dinosaurs with lemurs, who didn't evolve for another million years. They're afraid the movie will give kids a mistaken impression. What about the fact that the dinosaurs are singing and dancing?
When doctrines divide and "isms" turn human against human, without speech, without silence, let us demonstrate. Let these demonstrations manifest everywhere. Not what we think or say but what we do shall avail - on with the dance.
When one lifts a ballerina, it is not her weight but her nature that causes the problem.
Dancers aren't pompous; they're too tired.
The arts are an even better barometer of what is happening in our world than the stock market or the debates in congress.
The lips are closed, for the dancer has plenty of other voices at his service.
The expression should come from within oneself, conveying the spiritual - something between earth and heaven. And if one runs, one should not seem to touch the ground.
Some are less giving, others are more reticent and you actually have to create for them. Others have within them the next step.
Dance is about movement and can be an art, but it's also about communication - with yourself, as much as with other people.
I have come to the conclusion that it is better to be silent than to speak.
A cat is never a presentation, but an innocent happening.
When I miss class for one day, I know it. When I miss class for two days, my teacher knows it. When I miss class for three days, the audience knows it.
We danced with one body, one soul... For me, Margot is my family. She is all I have, only her.
If somebody asks, "What is a dance?" how can you define it? But you can dance and you can know the inner feel of it.
When movement becomes ecstatic, then this is dance. When the movement is so total there is no ego, then it is dance.
All great stars are competitive. That's a sign of a true artist - if you don't have the fire of competition deep down inside, you're never going to achieve anything. You have to want to be king of the heap.
I danced from the moment I could stand.
Forget the dancer, the center of the ego. Become the dance. Then the dancer disappears and only the dance remains. Then the dancer is the dance. There is no dancer separate from dance, no dance separate from the dancer.
Sometimes I gave conflicting emotions because it's been going on for so long now, but then I see somebody dancing real well and it just comes back like an old love. The flame ignites again.
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