Dance first. Think later. It's the natural order.
There is fatigue so great that the body cries, even in its sleep.
I did not want to be a tree, a flower or a wave. In a dancer's body, we as audience must see ourselves, not the imitated behavior of everyday actions, not the phenomenon of nature, not exotic creatures from another planet, but something of the miracle that is a human being.
A businessman is a hybrid of a dancer and a calculator.
Naturally enough when I was a young dancer, I was terribly anxious to get ahead, and to get ahead quickly. I was impatient with all those older people who talked of the long grind to the top, who turned me down for jobs I knew I could do.
Dance is for everybody. I believe that the dance came from the people and that it should always be delivered back to the people.
Movement never lies. It is a barometer telling the state of the soul's weather to all who can read it.
Dancing is the poetry of the foot.
All the dancer's gestures are signs of things, and the dance called rational, because it aptly signifies and displays something over and above the pleasure of the senses.
There's no thinking involved in my choreography... I don't work through images or ideas. I work through the body... If the dancer dances, which is not the same as having theories about dancing or wishing to dance or trying to dance, everything is there. When I dance, it means: this is what I am doing.
I dance with the dancers.
How can we know the dancer from the dance?
Dance, even if you have nowhere to do it but your living room.
People who got on their feet and freaked about were called idiot dancers. and nobody wants to be called an idiot dancer. But the whole idea of rock and roll is to get people off their arses - that's what it's about.
The most essential thing in dance discipline is devotion.
There are times when the simple dignity of movementcan fulfill the function of a volume of words.
Dancing's not work. You can't call it work. A day I don't dance is a day I don't live.
It's the one who won't be taken that cannot seem to give, and the soul afraid of dying that never learns to live.
If you can walk, you can run.
You know, the period of World War I and the Roaring Twenties were really just about the same as today. You worked, and you made a living if you could, and you tired to make the best of things. For an actor or a dancer, it was no different then than today. It was a struggle.
Common sense and a sense of humor are the same thing, moving at different speeds. A sense of humor is just common sense, dancing.
It's the heart afraid of breaking that never learns to dance.
The Dancer believes that his art has something to say which cannot be expressed in words or in any other way than by dancing... there are times when the simple dignity of movement can fulfill the function of a volume of words. There are movements which impinge upon the nerves with a strength that is incomparable, for movement has power to stir the senses and emotions, unique in itself. This is the dancer's justification for being, and his reason for searching further for deeper aspects of his art.
You can be creative only if you love life enough that you want to enhance its beauty.
Let us dance in the sun, wearing wild flowers in our hair.
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