Singing, dancing, and acting! The part [of Roxie in Let It Shine] was right up my alley. Plus, the thought of playing a rock star was like a dream for me.
I'm fed most by nature; going to the beach or lying in the grass are the greatest kinds of medicine. Cooking for other people. Kicking it with friends and family. And I love dancing - by myself in my house, with friends anywhere, or in a class.
I just love going down into the crowd and getting people pumped up and dancing.
It's almost like my career has been [based on voting]. I won a dancing contest to get into wrestling. That involved fans voting. And then on Dancing with the Stars, fans were voting.
You can express love by calling out the truth out of the situation as opposed to dancing around it.
At the time the quickest way to establish yourself as an American was to throw a little bit of tap into your dance - even when it wasn't called for. But what also helped me was the fact that I was dancing in roles that I had played.
I was young and ambitious and had the gift of dancing. I tried out for different things and the gift opened doors for me.
To all the secret writers, late-night painters, would-be singers, lapsed and scared artists of every stripe, dig out your paintbrush, or your flute, or your dancing shoes. Pull out your camera or your computer or your pottery wheel. Today, tonight, after the kids are in bed or when your homework is done, or instead of one more video game or magazine, create something, anything. Pick up a needle and thread, and stitch together something particular and honest and beautiful, because we need it. I need it. Thank you, and keep going.
I think dancing is an emotional experience.
[Dancing] was just a nice way of expressing myself, listening to music, and being able to move around and be free, but also really learning something. It was just a nice balance of training and expressing yourself at the same time.
Even growing up, if I dealt with any pressure to be a certain way, I knew that as an artistic lane, dancing was the one that was a little more freed up - like no one in my family is really doing that, I can be that person.
Architects see the world a certain way, and cooks see and smell the world a certain way. [Dancing ] is always been my lens, what I use to see.
Once I got a job singing and dancing, a reasonable person might think, "Maybe I should learn how to do this." But no, I never did.
I'm dancing tango, and I'm playing golf, and I'm quite active, you know, and for my age and everything, and what I've gone through, I'm very happy.
On Broadway and in the United States it's very different - people crossover all the time into television. I think that we'll get there [in London] in the end, but it has to start with who comes to see you in the musical and whether they can see beyond the dancing and the singing.
Certain audiences get the double meaning and some of the references and ironies, but there's definitely been shows where I feel like I'm not doing it well enough for it to come across as anything other than "oh, she's hot and she's dancing."
I don't want to have strong arms, like you get from Pilates or yoga. But dancing arms become your best accessory. And it's great for your core muscles.
As I was reading the book [Superficial: More Adventures from the Andy Cohen Diaries] I kept thinking, "Sweetie, you are dancing as fast as you can!"
My brother became so enamored with that film [West Side Story], that he started taking tap-dancing lessons, and I followed him and started tap dancing, and my mother and father started tap dancing - I was in a class with my family, tap dancing!
Everyone's talking about insoles nowadays, saying that it's a male necessity. To tell you the truth, I always use it because for people like me that started dancing at a very young age, it's more stable for me if my heel is pushed back a little. I wear it because it can make me dance better. But of course, since I wear it, my legs look longer too.
I went out into the world when I was about 22. I wrote books and I illustrated books and did book covers, and I taught tap-dancing, and I was a model in the art school. I had no ability for any of those things, but what else could I do?
If you ever saw All That Jazz [1979], Bob Fosse was kind of raised dancing in strip joints and the whole era of burlesque, and that form ran his visual aesthetic, the pacing and rhythm of what he did.
We're in a crisis. We're in a crisis like I don't think America has ever known in my lifetime. But we have to keep joy in our lives, love in our lives, poetry in our lives, dancing in our lives.
When I say that "l see God," I don't necessarily mean to say that when I chant I'm seeing Krishna in His original form when He came five thousand years ago, dancing across the water, playing His flute. Of course, that would also be nice, and it's quite possible too. When you become real pure by chanting, you can actually see God like that, I mean personally. But no doubt you can feel His presence and know that He's there when you're chanting.
They say the way to a man's heart is through his stomach, so if you can get to a man's spirit soul by eating, and it works, why not do it? There's nothing better than having been chanting and dancing, or just sitting and talking philosophy, and then suddenly the devotees bring out the prasadam. It's a blessing from Krishna, and it's spiritually important.
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