Where words leave off, gesture begins. Don't we speak of a person being speechless with rage, dancing with impatience, setting his teeth? The final motions of the soul are speechless, animal, grotesque, or of an incomparable beauty.
Traveling is like dancing lessons from God.
I don't remember anybody ever pointing me out as a dancing prodigy, but I played a not bad second base.
There's an aesthetic theme, which is cities at two o'clock in the morning. Not cities packed with people going out to clubs and dancing but desolate, empty streets. It's off-putting but there's a strange comfort to it as well, that desolate urban environment.
I don't know what should have happened in my life, but I do know that I'm dancing as fast as I can.
Anything that provokes a visceral or spiritual response and ignites my senses. Whether it's listening to the ocean, dancing to a song I adore, feeling the wind across my face, sampling a fantastic new dish, or witnessing a phenomenal show, if I experience it before I can even think about it, it makes me come alive.
In any regime there is always something that one should agree with, and in Shades there are quite a few notions that, on the face of it, seem like a good thing - the strict adherence to good manners, the fact that learning a musical instrument is compulsory, as is dancing, performing musicals and an hour's Useful Work every day in order to properly discharge your duty to society. But a cage is still a cage, irrespective of the nature of its bars.
When I was really young, my mom enrolled me in dance classes. "Mom, I'm too young to dance," I told her. She kind of forced me, but I ended up loving it, and after the first lesson I came back and said, "Come on, Mom, I'll show you the box step." That introduced me not just to dancing but also to working with someone without having a goal.
I feel like fashion was much more exclusive. There weren't as many parties. There weren't as many social gatherings. It wasn't required that designers have events to lure customers or editors or any of that - it was about a show. If there was a dinner or a party, people would go out after. New York nightlife was about late nights and dancing.
There's still people that do it poorly... and people that do it very, very well. I think there's still an incredible spectrum. I guess there's something that's appealing in it, in that everyone on some level is a DJ. But people still go to clubs, and there's still... it is interesting - with everyone having an iPod now - when music is so personalised and things like Pandora and making your own playlists, there's something really powerful about a room full of people all dancing to the same song.
My most recent project has been acting and dancing on VH1's TV series Hit the Floor. On the show, we perform at least one dance number an episode. They are all different themes and different dance styles and keep us literally on our toes. The show is exuberant, exciting, and full of scandal. Tune in and I know you'll get addicted.
I was a martial artist. So, for me to be able to do all of the fights is a blast. It's so fun. It's like dancing, but more bad-ass. I really enjoy doing it.
Well, I would say that Shake It Up was a chance for me to do two things I really love: acting and dancing.
Shake It Up is a buddy comedy based around dance. It's about two best friends Rocky and CeCe who live out their dream as background dancers on a show called Shake It Up Chicago. They have to navigate life as young teens going to school and dancing on the show.
I'm most excited to see how I've grown as a performer. After Dancing With the Stars I really was able to evolve in a lot of ways and I'm excited to put that to use on stage.
Reality shows are for reality stars. Celebrities do, maybe, Dancing With The Stars, maybe they might do Celebrity Wife Swap, but dealing with strangers, with people you don't know, in a real situation? People say it's fake, it's based on what they tell other people to do but won't tell you, but you still have a gut reaction, you know.
It is very, very hard to do that ballroom dancing and I am going to be nowhere near it. Now if you have a hot dog eating contest, call me.
I'm finding none. It's the same thing! It's about rhythms and beats and what connects to what. It's the same; the song has to connect to the story to get from this point to that point. So even though there may not be music in the show there is. You have to follow this delicate score. I don't think there's a huge difference. But, I don't have sore muscles! I'm not sore from dancing all day!
I was in the ensemble and also covered the parts of Dee Dee and Mary!! I had a fantastic time doing this show especially when we performed in places like Cardiff and Glasgow where the audiences were just so enthusiastic, joining in with all the songs and up on their feet dancing at the end!!
I gave away the Irish dancing, which is pivotal. It's just so silly and fun and nice to do because it kind of lifts the energy for us, right at the point where the energy could start to take a nose dive.
I find this kind of folk with guys in Wellington boots and washboards not good to listen to. That music is one step away from barn dancing as far as I'm concerned. Anyone under the age of 60 should not be wearing Wellington boots on stage.
I have a sister who is a dancer and dance teacher. We grew up dancing together. I wanted to become a ballerina when I was a kid, so she and I were always at ballet conservatories and going to school with our hair in buns.
I feel really connected to these young ladies I get to work with; I'm dancing around with them and playing music for them. We sit down and get to know each other so we have a shorthand.
Dancing in the strip club, Not the dancing, but the being naked was excruciatingly scary for me.
I knew I was always going to be around music. And I actually thought I would be dancing, not a vocal major.
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