If he [Uncle Sam] can't do this [integration], then they will - it will alienate them. And all of the hundreds of millions of dollars or billions of dollars that he has sent abroad trying to buy the friendship of the dark world will go right down the drain.
Take the story of Cain and Abel. Why were we given that story? Scientifically, you may have an explanation for it, but I'm not approaching it from the scientific point of view. I'm saying: Why do we need that? It's a sordid story, a depressing story, a dark story. Why should I believe that I'm a descendant of either Cain or Abel? Thank God there is a third son! [Genesis 4:25]
I had written a book called "Boston Boy" some years ago, and that took me from the time I could speak, I guess, in Boston through the time when I finally left to come to New York. One was understanding and coping with anti-Semitism. Boston, at the time, was the most anti-Semitic city in the country. And I found out when I was an adolescent that you have to be crazy to go out after dark all by yourself; you'd get your head bashed in.
My contention is that if you trace it back, it was the people of the East who brought them out of the Dark Ages, who brought about the period, or ushered in or initiated the atmosphere that brought into Europe the period known as the Renaissance.
It is the attitude of the American white man that is making him stand condemned today before the eyes of the entire dark world and even before the eyes of the Europeans. It is his attitude, his haughty, holier-than-thou attitude.
The universe remains dark. We are animals struck by catastrophe.
I'm trying to think of - knock on wood - how young people would feel today if our president and our leaders were shot at. But... our young people are being killed at an astonishing rate, and times seem dark.
I had no idea what to expect! When the series began, I was new to comics, so I really had to keep my head down and plow forward so that I could learn as much about this new medium as possible. I wanted so much to do a good job and to please Stephen King and all the longtime Dark Tower fans.
Because I was new to comics, I didn't know what to expect! However, I really like working collaboratively [on Dark Tower series], since I feel that - with so many different imaginations working together - the final product is so much richer. I also feel incredibly lucky to be able to work with such an accomplished and experienced team.
In order to capture Mid-World for new readers, I had to streamline the original tale [ The Gunslinger Born], but I also had to incorporate scenes from earlier Dark Tower novels.
In the earlier novels, Steve King tells us that John Farson, and perhaps even the Crimson King himself, are but other names and faces that belong to Walter O'Dim. However, in The Dark Tower, he tells us very clearly that Walter, John Farson, and the Crimson King are actually separate individuals.
I've learned a heck of a lot this way [making Dark Tower comics]. I've also learned a lot from the editors at Marvel, who are always an equal part in the creative team.
Renaissance or the reawakening of Europe. And, and this reawakening actually involved an era during which the people of Europe, who were coming out of the Dark Ages, were then adopting the value system of the people in the East, in the, of the oriental society.
When I was in the second grade, one of my teachers said, "Where are you going to find a husband? How are you going to find someone darker than you?" I was mortified. I remember seeing a commercial where a woman goes for an interview and doesn't get the job. Then she puts a cream on her face to lighten her skin, and she gets the job! This is the message: that dark skin is unacceptable. I definitely wasn't hearing this from my immediate family - my mother never said anything to that effect - but the voices from the television are usually much louder than the voices of your parents.
Brighton is a beautiful seaside city, but it's got a dark underbelly.
We must make a clear distinction between the nature of Chairman Mao's mistakes and the crimes of Lin Biao and the Gang of Four. For most of his life, Chairman Mao did very good things. Many times he saved the Party and the state from crisis. Without him the Chinese people would, at the very least, have spent much more time groping in the dark.
Predicting recessions is indeed a dark art, but I think we are several years away from the next one.
The dark clouds hanging over our government can be lifted and replaced with a bright future. But, it all depends on whether we let the corrupt media decide our future, or whether we let the American people decide our future.
When there is spirit and light, the dark forces of whatever is hidden and suppressed - like hatred and separation - become more powerful.
Every day huge amounts of information break off like icebergs and melt away. What worries me is that much information in electronic form is never reduced to paper. Some people have described this as being on the edge of a digital Dark Age and fear we may commit a massive act of amnesia.
My sense of humor tends toward both the dark and the absurd - two great tastes that, in my opinion, taste great together.
The Long Emergency will be chiefly characterized as a "time out" from technology. It could plunge us into a dark age of superstition. My guess is that we will lose a lot of knowledge and skill. But I also believe the human race desperately needs this "time out."
It's not as though there aren't many, many art works and many other cultures, but there was something special about the civic nature of the Greek theater. All the citizens stopped working. They came into these theaters. It wasn't like a Broadway theater where you sit in the dark and you expect to be passively entertained. You're in this theater, amphitheater, in bright sunlight looking at your fellow citizens, recognizing their faces, and thinking with them about the future of your city. I think very few cultures have had a theatrical tradition that is quite so civic.
All life is no more than a match struck in the dark and blown out again.
I've had that my whole career. People were always hedging around the question of: Why are you so dark? What happened to you?
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