Dark Horse was my second time working with Todd Solondz. I love him truly, very much. And I don't think he'd ever worked with an actor a second time. It was groundbreaking.
Bethann Hardison has been my collaborator, my closest friend, we've gone through starting businesses, losing businesses, kids, divorces, marriages, and she was my maid of honor when I married my husband, David Bowie. And she's still such a part of my life. This is the person when it's totally dark, outside and inside, this is the person I would call.
That whole thing about immortality, eternal love and flying is dark and sexy. When you're going through your sexual awakening, it's all a part of that.
My memoirs are full of humor, I had to change jokes because it was a little too dark.
I did Chekhov's Three Sisters once. Two months in, I remember going, "Human beings shouldn't be forced to do or watch this play every night." It's so dark and so bottomless.
For me, I don't think I gravitate to listening to only dark music.
I spent the '80s in the Soviet Union and when I came to America it was '89 and I was in an immigrant bubble and we didn't have MTV or cable, so I kind of discovered the '80s when I was already older, maybe in college. And I continued to have this romantic obsession with all those films and there's this sound I hear in my head and it's kind of this bittersweet romantic, dark sound.
In the Forest of Forgetting do you remember any romances? All the relationships in those stories are dark and twisted - people fall in love, but they really shouldn't have. There's even a story about a marriage, but it focuses on a woman who marries a bear!
Unfortunately, there's been a lot of very divisive, dark things said about Muslims.
The idea for a novel is like a little tiny fire in a dark night. And, one by one, the characters come and stand around it and warm their hands.
The whole switch from film to digital has changed some of the ways I use color and the juxtaposition of light and dark. It's getting better with digital, the separation's gotten better, but I still feel like it's really flatter than film, so I do a lot of screening and subtle textural printing and painting on clothes for film to get it not to look flat.
I really wish that peoplewould just say, 'Yes, it's a comic. Yes, this is fantasy. Yes, this is Science Fiction,' and defend the genre instead of saying, 'Horror is a bit passe so this is Dark Fantasy,' and that' s playing someone else's game. So that's why I say I'm a fantasy writer and to hell with 'It doesn't read like what I think of as a fantasy'. In that case what you think of as a fantasy is not a fantasy. Or there is more to it than you think.
The Dark Backward. Bill Paxton is in it with me. Wayne Newton. James Caan. Adam Rifkin wrote and directed it. It was made a number of years ago and very odd. Not for the squeamish.
We all have a dark side but we keep it in its place because it's destructive. And Donald Trump has said, no, no, bring it out because that's the energy we need in order to reverse all these horrible things that have been happening in America.
I get pretty dark sometimes, pretty bleak. But that passes.
Personally, I like a chocolate-colored sky, dark, dark chocolate.
Cale is my signature character in the Forgotten Realms. The most popular character I've written. He's a thief, an assassin, and eventually, a priest who stabs his own god in the chest. Always trying to slip his past, but never succeeding. Dark dude. Brooding dude. Born killer. But honorable, still.
I hope I can now use my ability to communicate, without being too precious or serious. It's good to have some levity, even as you're facing some really dark times, to mix it up a bit.
I hate it when, in films, the girl looks perfect in every shot. It's quite nice if there's a bit of dark circles underneath the eyes, if we see the reality of the situation that the person is going through.
I really like dark, politically incorrect humor.
There's a lot of dark stuff from the '80s that we don't think about.
I was in a very dark place for a long time. It's just so hard to have normalcy.
Dark Fantasy is just another way of saying Horror.
The incident itself happened in London, but because we were all based at the time in Los Angeles we moved it there. Certain details are almost exactly like the true experience, but we decided to make the film more of a thriller, in the hope that it would reach a bigger audience. That's why it's called "Selling Isobel" and not "Selling Frida." We didn't want to make a dark, depressing "movie-of-the-week."
Our mind is dark in some way, and so we use rhetoric as a kind of prop or foil.
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