I felt that with each movie, Gary [Ross] adopts a different style. He doesn't have one look that's the Gary Ross look, and I thought that was important.
I write in different styles because I hear different voices in my head. It would be boring to have always the same voice, point of view.
To be successful, you have to expose yourself to different situations-different styles of play, different teammates, different coaching.
I used to be the guy who wanted to do everything myself, wanted to write and play everything myself, but the older I've gotten, the more collaborations I've gotten. I really enjoy working with other people to create different styles of music, because I really do listen to everything, and I enjoy every kind of music. I think some of the best stuff comes from working with people who have different perspectives on the same thing.
I'm not Deion Sanders. We're different people with different styles. People see similarities between me and him; that's fine. It's an honor to be mentioned in the same breath with him. But that's as far as I go with it.
I've been working with Riccardo Tisci from Givenchy.It's been a long collaboration, and I don't think it's going to stop now. It's very important to me. Riccardo is younger than me, so it's great to have someone new teaching you in everything, not just in fashion. I'm teaching him in French style, what a women's style is, but he's teaching me in all of these different styles of music.I love this new world for me. It's refreshing and nourishing to keep learning about new things.
It's a very different show because of the elements that we're putting in. There's so many different styles of comedy, but Mr. Show was unique to Bob and David - two of the most brilliant performers and writers there are. Their show was based on them. Our show is a bit more broad. We have a cast of 7, we have guests. We can be slightly more topical.
I liked experimenting with a lot of different styles. So, it always saddens me when I see young people, or even older people for that matter, who are limited to one specific type of music. They don't really allow themselves to experience so many types of music out there that are so wonderful to listen to. And there's good parts and bad parts, I guess, to all of them.
I really said, 'Okay, this is just the right job for me. This is really what I need to be doing: telling stories through music in lots of different styles of music.'
We actually tried to put in [Kung Fu Panda 3] all the things we wanted to put into the first two films. We're all the same people who've been working on the other films and we all had things we couldn't do, and had to leave on the table. We just couldn't achieve them before. This time we have multiple new environments and different styles of animation.
My parents brought me up on all different styles of music, like my Mum would listen to Motown R&B and my Dad was quite 80's driven, so I was always surrounded by music growing up.
I'd love to be considered a post-pop artist, but I love to have five or six different styles in every painting, just for the pleasure of the eye.
I used to play guitar for myself and write lyrics and listen to different styles of music.
Hip-hop educated me about other forms of music, because it sampled from all different styles.
A lot of abstract painters seem to be doing everything all at once now. And so these different styles are jibing and not so jibing, and they're clashing. But they all seem to be working in their own domain. Whereas back in the '60s, man, it was kind of a dull world. It was a vital world. But it was kind of contained and not too recognized by the public. Now art is absolutely recognized by the public.
I think there's always room for people to hear different styles of music, especially when it comes from the heart.
If you try all different styles that are in vogue, I think you con yourself. Me, I just stick by my guns; I don't want to play out of another man's bag.
I intend more of a kinship with silent films than more modern film. I like the old cinema. My films are more of a hybrid - a different style of filmmaking to what I call talking head movies. Some people don't get it. Especially the more academic types.
You basically have to play everything (in New Orleans), because you're getting calls to play gigs of all different styles, from classical to R&B to funk; modern jazz to traditional jazz.
My mother, grandmother and I all have different styles, but we share the same taste.
Therefore, the two processes, that of science and that of art, are not very different. Both science and art form in the course of the centuries a human language by which we can speak about the more remote parts of reality, and the coherent sets of concepts as well as the different styles of art are different words or groups of words in this language.
Every director is different and they all have different styles. I've worked with directors who were very specific and they gave a lot of direction. The one thing about Michael [Haneke]that I think is interesting is that he really has a reason for everything he's asking you. If you challenge it, he is open for discussion but he has a clear idea of what he wants with reasons why.
Everyone has a completely different style of riding and a different style of judging.
Every violinist has a different style, so it's important to be able to recognise their styles. You don't have to like everyone's style but you have to know these styles.
I think it's good to have different styles, though. I think it's good to have a lucha on a show, some Japanese flavor, I think MMA is a good thing, a little bit of the hardcore and the blood and guts is good. That is what makes a show for me.
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