Count Olaf certainly does sound evil. Imagine forcing children to stand near a stove!
Know you not that a good man does nothing for appearance sake, but for the sake of having done right?
Poetry most often communicates emotions, not directly, but by creating imaginatively the grounds for those emotions. It therefore communicates something more than the emotion; only by means of that something more does it communicate the emotion at all.
Whether you believe in God or not does not matter so much, whether you believe in Buddha or not does not matter so much; as a Buddhist, whether you believe in reincarnation or not does not matter so much. You must lead a good life. And a good life does not mean just good food, good clothes, good shelter. These are not sufficient. A good motivation is what is needed: compassion, without dogmatism, without complicated philosophy; just understanding that others are human brothers and sisters and respecting their rights and human dignity.
Clever is as clever does.
Plainly, such an approach does not exclude other ways of trying to comprehend the world. Someone committed to it (as I am) can consistently believe (as I do) that we learn much more of human interest about how people think and feel and act by reading novels or studying history than from all of naturalistic psychology, and perhaps always will; similarly, the arts may offer appreciation of the heavens to which astrophysics cannot aspire.
What do I know about God and the purpose of life? I know that this world exists. That I am placed in it like my eye in its visual field. That something about it is problematic, which we call its meaning. This meaning does not lie in it but outside of it. That life is the world. That my will penetrates the world. That my will is good or evil. Therefore that good and evil are somehow connected with the meaning of the world.The meaning of life, i.e. the meaning of the world, we can call God. And connect with this the comparison of God to a father.
Loneliness does not worry me; life is difficult enough, putting up with yourself and with your own habits.
Money does not buy you happiness, but lack of money certainly buys you misery.
This one isn’t just any old horse. There’s a nobility in his eye, a regal serenity about him. Does he not personify all that men try to be and never can be? I tell you, my friend, there’s divinity in a horse, and specially in a horse like this. God got it right the day he created them. And to find a horse like this in the middle of this filthy abomination of a war, is for me like finding a butterfly on a dung heap. We don’t belong in the same universe as a creature like this.
I tell you, my friends,’ he said one day. ‘I tell you that I am the only sane man in the regiment. It’s the others that are mad, but they don’t know it. They fight a war and they don’t know what for. Isn’t that crazy? How can one man kill another and not really know the reason why he does it, except that the other man wears a different colour uniform and speaks a different language? And it’s me they call mad!
The language of my love does not belong to human language, my human body does not touch the flesh of my love.
It’s sad, y’know, what money does to people.
I believe you have to write every day–make the time. It’s about having an organized mind instead of a chaotic and untidy one. There is a myth that writers are bohemian and do what they like in their own way. Real writers are the most organized people on the planet. You have to be. You’re doing the work and running your own business as well. It’s an incredibly organized state. [Also reading]…one of the things reading does do is discipline your mind. There are no writers who are not readers.
The essence of religious feeling does not come under any sort of reasoning or atheism, and has nothing to do with any crimes or misdemeanors. There is something else here, and there will always be something else - something that the atheists will for ever slur over; they will always be talking of something else.
There's an honesty to the wolf world that is liberating. There's no diplomacy, no decorum. You tell your enemy you hate him; you show your admiration by confessing the truth. That directness doesn't work with humans, who are masters of subterfuge. Does this dress make me look fat? Do you really love me? Did you miss me? When a person asks this, she doesn't want to know the real answer. She wants you to lie to her. After two years of living with wolves, I had forgotten how many lies it takes to build a relationship.
As one does a bear riding a bicycle. One sees it so rarely. (Spoken by Volger, on Deryn)
Because one does not want to be disturbed, to be made uncertain, he establishes a pattern of conduct, of thought, a pattern of relationships to man. He then becomes a slave to the pattern and takes the pattern to be the real thing.
I used to wonder why Lucy liked those songs so much. You know what I mean? She sits in the dark and listens and cries. Music does that to her...I didn't understand for a long time. But I do now. The sad songs are a safe hurt. It's a diversion. It's controlled. And maybe it helps you imagine that real pain will be like that. But it's not. Lucy knows that, of course. You can't prepare for real pain. You just have to let it rip you apart.
To know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not--this is the beginning of writing.
Within the mystery of life there is the infinite darkness of the night sky lit by distant orbs of fire, the cobbled skin of an orange that releases its fragrance to our touch, the unfathomable depths of the eyes of our lover. No creation story, no religious system can fully describe or explain this richness and depth. Mystery is so every-present that no one can know for certain what will happen one hour from now. “ It does not matter whether you have religion or are an agnostic believe in nothing, You can only appreciate (without knowing or understanding) the mysteries of life.
None of us knows the wisdom of the Lord. We do not know in advance exactly how He would get us from where we are to where we need to be, but He does offer us broad outlines in our patriarchal blessings. We encounter many bumps, bends, and forks in the road of life that leads to the eternities.
The saints should always remember that God sees not as man sees; that he does not willingly afflict his children, and that if he requires them to endure present privation and trial, it is that they may escape greater tribulations which would otherwise inevitably overtake them. If He deprives them of any present blessing, it is that he may bestow upon them greater and more glorious ones by-and by.
The theme of the diary is always the personal, but it does not mean only a personal story: it means a personal relationship to all things and people. The personal, if it is deep enough, becomes universal, mythical, symbolic; I never generalize, intellectualise. I see, I hear, I feel. These are my primitive elements of discovery. Music, dance, poetry and painting are the channels for emotion. It is through them that experience penetrates our bloodstream.
Sometimes it's just silent...No sound at all. 'Does that scare you?' Chad nods. 'Why?' asks his father. 'It's like something's waiting.
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