I've always got a whole bunch of things in the works. That's sort of the nature of the business. Even when you're doing something you love doing, you have to be plotting and scheming and writing and preparing for what you're going to do when that's finished.
Everybody needs to realize that it doesn't matter how old you are or how young you are, you still can be a Christian and live for God. It's not easy but that's why we have God's word and He forgives us when we do something we shouldn't be doing. You know, God sent His son to die for us and He paid that sacrifice so you can go to Heaven.
I've done 12 in one night, you know what I mean - loads of them... Really, in the long run, it's a safe pill and it ain't doing you no harm. I don't see the problem.
Act so as to encourage the best in others, and by so doing you will develop the best in yourself.
The process of creating is related to the process of dreaming although when you are writing you're doing it and when you're dreaming, it's doing you.
I really think that if there's any one enemy to human creativity, especially creative writing, its self-consciousness. And if you have one eye on the mirror to see how you're doing, you're not doing it as well as you can. Don't think about publishing, don't think about editors, don't think about marketplace.
... by doing you shall know What it is you have to do.
To evoke the classic period of Italian cinema in a little film seemed like a great, fun thing to do. I had relations to that period. I had known Fellini and I had known Antonioni. I had made a movie with Antonioni and I had visited Fellini in his studios. So, it seemed like something worthwhile doing. You bring yourself to that mythical cinema.
If you see a man approaching with the obvious intent of doing you good, run for your life. Consider pleasures as they depart, not as they come.
With mockumentaries, the conceit is that the characters are being interviewed, so you can start a scene and cut to a character looking at the camera and saying, "I'm working on this project," instead of having to figure out ways for people to talk naturally about what they're doing. You see this problem in pilots - people end up explaining things to each other that they'd never explain in real life.
No matter what you're doing, you're never 100 percent about anything. Every choice is always accompanied by a certain amount of worry or doubt. Until it reaches a certain threshold, you don't act on it; you just sort of carry it with you, and wait to see if it reaches the threshold when you should act. Otherwise, you just become one of those worrywarts, a nervous Nellie who isn't very helpful.
When I was young I was on punishment a lot and I used to watch a lot of TV, and I asked myself a question: 'How come people like Mike? How come they like Magic? How come they like Bird? How come they don't like the big guys?' So I just throw a little bit of what they were doing. You smile, you act crazy and silly. And I think people like me because I'm different. I've always been a class clown type of guy. It comes natural.
I don't know if I could write ten easy ways to connect with an audience. I know you have to believe in what you're doing, you have to believe in your music, believe in your ability, believe that what you're doing is honest and true and real.
I'm glad the universe is pointless. It means if I get to the end of my life, the universe can't turn to me and go, 'What have you been doing, you idiot? That's not the point!
I'm interested in taboos for certain reasons. They can dramatise things and they're scary, and they're important to think about. I'm also wary about the fact that if you don't proceed with caution and understand what you're doing, you understand these things are realities that you're dealing with, they're real things.
The travels before and after the tour are what add up to what you're doing. You are really called into service - and it's the service industry man, it's blue collar man, I'm sweating by the second song. It's construction work from that second song on.
If you're up there [on stage] thinking about what you're doing, you're just not there and it's not going to happen.So trying to learn how to overcome those - which is a normal thing to do. You're in front of a lot of people. People are going to get very self-conscious. So you have to learn to sort of overcome that tendency towards self-consciousness and just blow it wide open. And you jump in and join all those people that are out there enjoying what you're doing together.
If you want to create something that's worth doing you have to self-edit from the get-go. You really must be careful and selective with whom you work, you must constantly ask yourself the hard questions about your art, and you must set a nearly unattainable standard for yourself.
I think if you had to map that out at the beginning and you said, "Right, sit down, this is what you're going to be doing," you'd probably freak out. But I'm someone who really enjoys not being himself. So if you consider that, then it all sort of makes sense.
I wrote as a teenager, and once I started acting, you know, you're learning lines, you're doing other people's words, it takes up a lot of time. Especially if you're dedicated to what you're doing, you're trying to do a decent job at it. But I would have said to myself, "Write more, please."
Everybody was telling me to sit my ass down. Everybody was telling me to get a real job. Everybody was asking me, "What are you doing? You're ruining your life. You're embarrassing your family." That's all I got. So you can't listen to that. You have to listen to yourself.
It's kind of ridiculous that I find inspiration in just getting away from everything. But when you've gone through it, you realize that it's the enemy. It's a distraction from what you're really doing. You've got to keep moving. Like a shark.
I'm starting to like muggers more than congressmen. At least the muggers don't claim they're doing you a favor.
If you do what you enjoy doing you'll never have to work hard.
The scheduling thing is really weird with TV shows. Certain projects haven't been able to work out because of the schedule, so some of it is out of your control. You don't have very many opportunities. There isn't much time, so you want to make sure you're going to be doing something that you really feel good about or that you're going to have a good creative experience doing. You're taking up vacation time from your job, so you want it to be meaningful.
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