Edits Quotes - Page 3

• I don't think my playing style has really changed over the years; it's just gotten better. I can hear the improvement in comparing older records and later records. I'm referring to soloing ability, to having a better sound, to knowing chords better, and getting rhythmically stronger. It also has to do with ideas - learning how to edit your ideas and being better able to follow ideas out to a logical conclusion.

  Gary Bartz

  Thinking, Years, Ideas

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• For some reason at Sundance, more than other festivals that I'm aware of, you find filmmakers rushing to screen works that sometimes aren't completed. In my seven years of programming at Toronto, I'm not aware of any documentaries that went back for serious editing after their premiere - other than those presented as works-in-progress. But at Sundance every year there seems to be a few films that push the deadline so hard that they get taken back to the edit room afterwards.

  Thom Powers

  Taken, Editing, Years

  Source: blogs.indiewire.com

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• "Hello" is always presented as a linear narrative, a singular chain, sometimes in a loop. But the reality of making it is that connections are naturally sprawling all over the place, so I am free to edit any way I want.

  Aleksandra Mir

  Reality, Connections, Want

  Source: www.believermag.com

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• The dividing line [between friends and acquaintances] is communication, I think. A friend is someone to whom you can say any jackass thing that enters your mind. With acquaintances, you are forever aware of their slightly unreal image of you, and to keep them content, you edit yourself to fit. Many marriages are between acquaintances. You can be with a person for three hours of your life and have a friend. Another will remain an acquaintance for thirty years.

  John D. MacDonald

  Communication, Thinking, Years

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• Your job as an executive is to edit, not write. It's OK to write once in a while but if you do it often there's a fundamental problem with the team. Every time you do something ask if you're writing or editing and get in the mode of editing.

  Jack Dorsey

  Jobs, Team, Writing

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• The one thing I have learned about editing over the years is that you have to edit and publish out of your own tastes, enthusiasms, and concerns, and not out of notions or guesswork about what other people might like to read.

  Norman Cousins

  Editing, Years, People

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• When you need to correct someone, be resolved not to do so in a blaming manner. Before criticizing, view the situation from the other person's point of view. Then be careful to speak calmly and tactfully. Carefully edit what you say before you say it.

  Zelig Pliskin

  Views, Needs, Blame

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• ...slow down and self-edit and ask yourself the three things you must always ask yourself before you say anything: "Does this need to be said?" "Does this need to be said by me?" "Does this need to be said by me now?"

  Craig Ferguson

  Self, Say Anything, Doe

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• I'm not one of those directors who can just kind of walk away from the edit room and come back and check in.

  Lynn Shelton

  Directors, Rooms, Kind

  Source: collider.com

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• I guess I cringe, because sometimes I don't even watch my live performances back. When I edit, it's this feeling of seeing my mistakes. It's always a mixture of loving characters, but being the artist that created it and not trying to go too deep in criticizing myself.

  Kalup Linzy

  Mistake, Character, Artist

  Source: www.interviewmagazine.com

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• With a horror movie most of the actual jumps and scares are made in the edit. It's often not very scary on set and then you watch the film and suddenly it's very scary because the way the jump scares fit together building up the suspense in the audience because it's making them jump when they're least expecting it.

  Jeremy Irvine

  Building Up, Scary, Together

  Source: collider.com

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• I think there's a lot of benefit in letting people vent. When I was on the Manchester Evening News, we got 500 letters a day, and part of my job as editor was to edit them. And I thought that was one of the best things in the newspaper, and it was instituted by an editor known as Big Tom, who said 'this is the voice of the people.' And he was quite right.

  Harold Evans

  Jobs, Thinking, Editors

  "Harold Evans Sees Bright Future for Print-on-Demand Newspapers". Interview with Mark Glaser, mediashift.org. October 29, 2009.

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• I think this is an exciting time to be a female filmmaker. Trust your instincts, work harder than anyone else and learn your craft. Know it all. This means learn how to shoot, edit, produce and direct. Get as much experience as you can and watch a lot of films.

  Alex Hammond

  Hard Work, Mean, Thinking

  Source: blogs.indiewire.com

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• In 1966, while working on a feature about a Picasso exhibition at the Tel Aviv Museum of Art, I recorded the pre-opening preparations and observed a moment: One of the cleaners stopped, puzzled, in front of the Picassos. I think that this is an image that can be universally understood, but with a grain of salt. I never chose this image in edits before because it seemed to me that it felt posed-the composition was a little too perfect. But, believe me, it was a lucky moment.

  Micha Bar-Am

  Art, Believe, Thinking

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• Josh [Gad] is such an amazing improviser and is so good when the material is flowing from him that sometimes, if a written scene isn't working quite right, I'll tell him that we've got it and that he can just play. He'll blow us away with some super weird stuff and some wild things that we might use bits and pieces of in the edit, and then I'll say, "Just for good measure, let's do one more of the scripted version."

  Josh Gad

  Blow, Play, Might Use

  Source: collider.com

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• I personally prefer working digitally because it allows me to work quickly and cleanly. I don't have to buy paint or brushes or canvases, I don't have to wait for paintings to dry before sending them to clients, I don't have to photograph or scan my final work, and I can make edits immediately and easily.

  Julie Dillon

  Waiting, Clients, Finals

  Source: littleredreviewer.wordpress.com

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• Filmmaking materials are in the hands of more people now than ever before. I would like to think that the more people have these tools, the more people will learn how to use them, it's another argument I would argue for, personally, for art's education. Because there are kids who aren't that literate in screen language and they've got to know how people select shots, how people edit audio, how people combine things to make what they see on the screen. It would be like the 15th century or the 16th century in Germany, and somebody amends a printing press and you don't know how to read and write.

  Murray Horwitz

  Art, Kids, Writing

  Source: www.npr.org

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• Don't google your name. Ever.
  Don't “search” for yourself
  on anything that glows in the dark.
  Don't let your beauty
  be something anyone can turn off.
  Don't edit your ugly out of your bio.
  Let your light come from the fire.
  Let your pain be the spark,
  but not the timber.
  Remember, you didn't come here
  to write your heart out.
  You came to write it in.

  Andrea Gibson

  Pain, Writing, Heart

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• I love editing. I think I like it more than any other phase of film making. If I wanted to be frivolous, I might say that everything that precedes editing is merely a way of producing film to edit.

  Stanley Kubrick

  Thinking, Editing, Phases

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• I really like the idea of being utilitarian. My dream is to edit down my wardrobe and be very Japanese, where you have one rolling rack and it's like your four T-shirts, your five dresses, your two pairs of jeans.

  Erin Wasson

  Dream, Jeans, Ideas

  "The close-up". Interview with Simon Chilvers, www.theguardian.com. March 22, 2009.

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• I love producing. My dream as a producer is to be able to build a company that can be a safe haven for artists, for directors and for writers and actors to do what they do best and let them have final edit. I'd like to build something to that effect.

  Brittany Murphy

  Dream, Artist, Safe Haven

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• I write quickly with a sense of urgency. I don't edit myself out of existence, meaning I'll try to write 50 or 60 pages before I start rereading, revising and editing. That just helps with my confidence.

  Anthony Bourdain

  Writing, Editing, Trying

  "Anthony Bourdain The ‘Parts Unknown’ Interview". Interview with Kam Williams, newsblaze.com. January 9, 2015.

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• Im from Boston, and I get easily overwhelmed in New York, so I go to Boston and stay with my parents for a few months at a time to write, or edit, or just to cry.

  Alex Karpovsky

  New York, Writing, Boston

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• The authenticity aspect is pretty important to me. When we have to compromise and do something that's not authentic, it really rubs me, every time I have to see it in the edit, which is millions of times.

  Cary Fukunaga

  Important, Compromise, Authenticity

  "Director Cary Fukunaga Talks TRUE DETECTIVE, Making an 8-Hour Film, Future Seasons, BEASTS OF NO NATION, Modernizing Horror with IT, and More". Interview with Christina Radish, collider.com. January 11, 2014.

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• Performance is made in the editing room, and I've come to see the truth in that - the idea that they say performances are usually made in the editing room because what you film is the raw material. I think just going through the process of saying, "Which take do we use? Why is that the take we want? I want that take can you edit again, I'm not sure that's the one, I think it's this one." And just because you go through that process, I think somehow it's made me sort of more open about the [actor's] possibilities.

  Ralph Fiennes

  Thinking, Editing, Ideas

  "Ralph Fiennes Talks THE GRAND BUDAPEST HOTEL, Collaborating with Wes Anderson, If He Will Direct More Shakespeare, and More in Berlin". Interview with Steve 'Frosty' Weintraub, collider.com. February 10, 2014.

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