I guess I cringe, because sometimes I don't even watch my live performances back. When I edit, it's this feeling of seeing my mistakes. It's always a mixture of loving characters, but being the artist that created it and not trying to go too deep in criticizing myself.
I'm not one of those directors who can just kind of walk away from the edit room and come back and check in.
...slow down and self-edit and ask yourself the three things you must always ask yourself before you say anything: "Does this need to be said?" "Does this need to be said by me?" "Does this need to be said by me now?"
When you need to correct someone, be resolved not to do so in a blaming manner. Before criticizing, view the situation from the other person's point of view. Then be careful to speak calmly and tactfully. Carefully edit what you say before you say it.
The one thing I have learned about editing over the years is that you have to edit and publish out of your own tastes, enthusiasms, and concerns, and not out of notions or guesswork about what other people might like to read.
Your job as an executive is to edit, not write. It's OK to write once in a while but if you do it often there's a fundamental problem with the team. Every time you do something ask if you're writing or editing and get in the mode of editing.
The dividing line [between friends and acquaintances] is communication, I think. A friend is someone to whom you can say any jackass thing that enters your mind. With acquaintances, you are forever aware of their slightly unreal image of you, and to keep them content, you edit yourself to fit. Many marriages are between acquaintances. You can be with a person for three hours of your life and have a friend. Another will remain an acquaintance for thirty years.
Josh [Gad] is such an amazing improviser and is so good when the material is flowing from him that sometimes, if a written scene isn't working quite right, I'll tell him that we've got it and that he can just play. He'll blow us away with some super weird stuff and some wild things that we might use bits and pieces of in the edit, and then I'll say, "Just for good measure, let's do one more of the scripted version."
I learned very quickly that if you just go out and make something and maybe fail at it or you just learn how to edit it yourself. I edited my last films. You just do it yourself. You feel so creatively empowered and you're controlling your own destiny as artists.
A few performances have been left out of the various Woodstock soundtracks and film edits over the years, most notably The Grateful Dead.
I used to edit myself. If something seemed super-simple I had to make it more complicated. Now I'm trying to let what's in there come out and acknowledge where I come from. I'm trying to make it more. ..true.
If there's a cutaway, you need to get it then because it's only going to last [a few moments]. You have to edit the movie as you're shooting it in your head and communicate with your crew about how it's going to work. While making a movie, you have the luxury of storyboards and a script and a bigger crew and actors. I mean, it's so much easier.
I don't need to edit names out of songs and I don't need to edit details out of my songs because I've always been able to be honest with my music. That's the one place where I'm never ever going to change how I do things.
The problem when you edit a film together, when you shoot a film, you are drawn into the moment. You want each moment to be special and full of life.
They put me in an office with the TV set up and said "Here's the tape. When you're finished writing your copy for the little trailer you're going to do, you'll come out and show it to us and we set you up to go edit it." I turned it on and it was just this hardcore film and I was like, "Oh my God, I've fallen down the rabbit hole."
I'm always ready for TV. I don't have to edit my jokes - when you work clean, you can work anywhere.
I'm close to my audience. I think I have more tools in my box than other guys who might try it. Also, I know how to do this stuff. I know how to write and shoot and edit. I'm technically adept and that helped with the website. You need a big skill set.
I have learned to consciously avoid letting that thought, It's been done, enter my creative process. You have to try not to edit yourself before you actually shoot.
The question is not whether a picture is good, in some formal, technical sense, but, does it mean what I need it to mean? Writers can edit sentences that may be well-crafted but that don't express an intended thought. But in photography, there are no revisions: A photograph is in or it's out, and the photographer must live with the consequences of his or her choices.
Yeah. When I was in high school I used to do stupid video edits. I would hook-up two VCRs or three VCRs and do film edits for the basketball team and stuff like that because I was always just into doing that.
I turn on the machines and start to think about ideas and take it from there, it usually begins if it's a beat, a track creating a beat/beats and then the bass-line/lines, then comes the sounds--drones, atmospherics etc, then the edits of various sounds I created and keep going till I feel I have enough sounds ideas to start working and building a track. I have many banks of sounds that we hear that can be manipulated in the machines.
You don't want to get too far ahead of the audience and you don't want the audience to be ahead of you. So, that balance is difficult and it takes a lot of work and tuning in the edit, to get the right balance.
Writing is a kind of free fall that you then go back and edit and shape.
There were radio shows where you actually got to hear people play off of each other and get that immediate magic that goes on. And rather than doing what a lot of shows do, where an individual comes in, reads their part, and you edit it together later on and try to build a performance, we're lucky because this is really very much a theatrical performance that is going on, every single week.
Once I'm in the editing room, forget about what I intended to shoot. I take a cold, hard look at what I really did shoot, and then I edit that because, if you try to edit what you intended and you missed somewhere, that will show up.
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